CANNES, FRANCE – The Cannes Film Festival wraps up Saturday with its traditional awards ceremony after two action-packed weeks of world premieres, star-studded red carpets, parties and fashion shows. AFP looks back on some of the highlights:

‘Fast’ emotions

Although there was no Hollywood blockbuster launch in Cannes this year and some festival-goers reported fewer US film execs in town than usual, the cast of the original The Fast and the Furious provided some American sparkle.

Vin Diesel, Michelle Rodriguez, Jordana Brewster and the daughter of late co-star Paul Walker reunited for a midnight screening to mark 25 years since the car-racing blockbuster, with their smiles, tears and tributes to Walker providing a moment of raw emotion in the packed main cinema.

Ovation clock-watch

Standing ovations at premieres are a serious and competitive business in Cannes, with reporters timing them as an indicator of how well a film has been received.

This year’s winner appeared to be Spain’s La Bola Negra (The Black Ball), a sprawling gay- themed drama set partly during the country’s civil war, which was awarded a hand-aching 16- minute round of applause on Thursday, according to industry title Variety.

Bardem unfiltered

Spanish superstar Javier Bardem, many people’s tip for the Cannes best actor award for his turn in The Beloved by Rodrigo Sorogoyen, is known as one of the industry’s most outspoken figures on issues from Gaza to violence against women.

In an expletive-laden outburst at a press conference on Sunday, he slammed the “toxic masculinity” of US, Russian and Israeli leaders Donald Trump, Vladimir Putin and Benjamin Netanyahu and accused them of being obsessed with the size of their manhoods.

Travolta honoured

Plane-mad John Travolta showed his directorial debut in Cannes with Propeller One-Way Night Coach, a largely forgettable personal project based on his memories of his first flight on an airliner as an eight-year-old.

His genuine surprise and gratitude when he was honoured with a Cannes lifetime achievement award – perhaps making up for the fact that he has never won an Oscar? – was memorable for all those present.

ALSO READ: Beyond the Oscar: John Travolta receives surprise honorary at Cannes 2026

Red carpet

Demi Moore fully embraced the vibe of her Oscar-nominated role in The Substance to push the boundaries of what a 63-year-old woman can look wonderful in, from a silvery Jacquemus bustier dress on opening night to a figure-hugging sheer lavender Gucci gown.

Supermodel Bella Hadid arrived in a show-stopping Schiaparelli dress at the premiere of the Charles de Gaulle biopic De Gaulle: Tilting Iron.

AI debate

The film industry remains opposed to artificial intelligence on the whole, fearful of its potential to kill off jobs for animators, scriptwriters and eventually actors.

Lord of the Rings director Peter Jackson, a special effects specialist, struck a dissonant note by saying that AI was “going to destroy the world” but when it came to film, “I don’t dislike it at all”.

ALSO READ: Cannes Film Festival opens without Hollywood studios as AI debate takes centre stage

Buzzy titles

Every year in Cannes, a few titles emerge with rave reviews and an unexpected buzz around their directors.

Club Kid about a New York party promoter by first-time director Jordan Firstman landed a $17-million deal with top studio A24, while genre-defying comedy-horror Teenage Sex and Death at Camp Miasma by Jane Schoenbrun wowed many critics and won the Queer Palm.

A Russian returns

For lovers of independent Russian cinema, which has been stifled since the Kremlin’s 2022 invasion of Ukraine, the sight of director Andrey Zvyagintsev walking the red carpet was a cause for celebration.

The Leviathan director nearly died during the Covid pandemic and now lives in exile in France, but his ability to tell a story with rare subtlety and beauty remains undimmed, with his Minotaur a frontrunner for the best film prize.

Ball skills

Football and arthouse movies rarely mix, but French legend Eric Cantona has helped build bridges between the two since hanging up his playing boots at Manchester United and embarking on an acting career.

The enigmatic striker appeared in a movie, Les Matins Merveilleux (Marvellous Mornings), and was the subject of an entertaining documentary, Cantona, that sees him explore the “demons” that made him such a combustible player.

Live music

One of the joys of Cannes is seeing sometimes little-known directors from across the globe finding themselves on one of the biggest cinema stages on the planet.

This year’s edition featured a rousing first film about the war-torn Central African Republic – Congo Boy – with its nerveless director Rafiki Fariala showcasing the catchy soundtrack he wrote by breaking into song at the end of the premiere.