{"id":96206,"date":"2018-05-18T12:57:40","date_gmt":"2018-05-18T10:57:40","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=96206"},"modified":"2018-07-03T10:54:08","modified_gmt":"2018-07-03T08:54:08","slug":"margaret-gardiner-se-cannes-dagboek-dag-3","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/margaret-gardiner-se-cannes-dagboek-dag-3\/","title":{"rendered":"Margaret Gardiner se Cannes-dagboek: Dag 3"},"content":{"rendered":"

Teks en foto’s: Margaret Gardiner. Verwerk deur Martie Swanepoel.\u00a0<\/em><\/p>\n

Dis halfelf die oggend. Ek is sedert sesuur wakker en het eers na twee gaan slaap. Ek het die fliek Le Livre d’Image<\/em> (losweg vertaal as “Beeldboek”) gesien. Die regie is behartig deur Jean-Luc Goddard<\/strong> en is \u2019n ontstellende film wat saamgestel is van beelde wat verlei en verneder. Dit is nie \u2019n film waarmee jy jou dag wil begin nie.<\/p>\n

Ek het \u2019n mode-galery saamgestel vir goldenglobes.com<\/a>; ek is die moderedakteur. Dit het my langer as gewoonlik geneem omdat die modes fantasties was en omdat \u2019n Suid-Afrikaanse musikant, Nakhane Toure<\/strong>, op die rooi tapyt verskyn het.<\/p>\n

Ek het ook my daaglikse dagboekinskrywing vir rooi rose<\/em> gestuur en nou het ek \u2019n uur oor om te stort, my hare te was, om nog \u2019n verslag in te dien, en om my plek te vind en my voor te berei op my onderhoud met die regisseur van die dokument\u00ear wat ek gister gesien het.<\/p>\n

\"Margaret

By die Mariott-hotel. Kan jy sien ek het pas opgestaan?<\/p><\/div>\n

Uitputting laat jou snaakse goed doen – soos om jou sak eers netjies te pak, maar dan daarna 20 minute lank na jou sleutels te soek wat reeds in jou sak is! Ek het gemiddeld drie uur slaap ingekry sedert ek hier aangekom het met boonop \u2019n agt uur tydsverandering en vlugvoosheid. Ek besef ek sal moet begin aanpas.<\/p>\n

Terwyl ek my grimering doen, dink\u00a0 ek aan vrae wat ek aan die regisseur kan stel. Ek kyk skielik na myself in die spie\u00ebl en besef ek het aand-grimering vir \u2019n oggend-funksie aangesit. Hallo wasbeerogies!<\/p>\n

Ek skrop die grimering af en druk my klam hare in \u2019n bolla terwyl ek debatteer of ek plat skoene of hakskoene moet aantrek. Hakke maak die beenspiere sterker. Ek het al vir drie maande lank \u2019n besering en kon in hierdie tyd nie oefen nie. Dit voel of my lyf besig is om voor my o\u00eb te disintegreer. My arms lyk soos watervalle en ek het \u2019n truitjie gebring om dit weg te steek, maar dit slaag nie daarin nie. Ek het net drie minute oor en kies plat skoene en trek \u2019n lang trui aan om die \u00a0gesmelte\u2013roomys-arms te bedek. Ek is net betyds by die deur uit.<\/p>\n

Ek spring blitsig in die bussie waarin ek saam met top prokureurs, bankiers en bedryfsmakelaars al langs die C\u00f4te d’Azur<\/em> ry. Dit lyk baie soos Seepunt, maar sonder die golwe, en dit is volgepak met luukse groot seiljagte en bote.<\/p>\n

Ons word begroet met pienk sjampanje terwyl ons praat oor China se uitbreiding na die vermaaklikheidsmark en Amerika se vermaakmaatskappye se behoefte om nuwe inkomste te ontwikkel, aangesien DVD’s en tuisvideo’s deur video-stroomplatforms vervang is.<\/p>\n

Ons stap rustig na \u2019n pragtige restaurant, wat baie lyk soos die uitsig vanaf Bantry Bay, behalwe dat die water blou is. Ek sit tussen \u2019n bankier, \u2019n persoon wat strukture finansier vir maatskappye en \u2019n prokureur wat op een of ander manier betrokke is by die hantering van Harvey Weinstein<\/strong> se krediteure. Die gesprek is intens en twee ure glip verby sonder die hoofgereg in sig. Ek eet gewoonlik baie en val die broodmandjie aan. Ek hoop dat hulle nie agterkom dit is my derde rolletjie nie, en ja, ek is Suid-Afrikaans, dus eet ek broodjies met botter, iets wat ek agterkom die Amerikaanse vroue by my tafel vermy.<\/p>\n

Ons raak betrokke by \u2019n gesprek oor die boek waarvoor ek navorsing doen en een van die vroue vertel my dat sy tydens die borsvoeding van haar kind vergaderings bygewoon het en dat sy net haar rug na die mans gekeer het en haar baba en die bors met \u2019n lap bedek het. Haar baas het gedreig om haar af te dank, maar sy vriendin het hom afgeraai om dit te doen en het ges\u00ea die vrou moet eintlik geprys word. Sy het uiteindelik die maatskappy se finansi\u00eble departement bestuur.<\/p>\n

Die prokureur het ook aan die gesprek begin deelneem voor die hoofmaal uiteindelik bedien is. Net toe ek my vurk met \u2019n happie geurige vis optel, tik iemand my op die skouer om aan te kondig dat die motor wat my na my volgende onderhoud moet neem, gearriveer het. Ek het nog niks ge\u00ebet nie! Maar ek spring in die motor en ons ry van Antibes na Cannes terwyl ek my navorsing oor die regisseur voltooi.<\/p>\n

Die uitsig van bo die Marriott Hotel is asemrowend, maar my moe\u00eb brein is besig om soos katoenwol te reageer. Ons is buite en die regisseur is nog nie gereed nie. Ek gaan sit op \u2019n stoel en trek my sonhoed oor my gesig en raak onmiddellik aan die slaap. Ek word wakker gemaak deur \u2019n klomp vroue wat my omring en my komplimenteer omdat ek so mooi poseer, maar ek poseer nie … Ek dut net \u2019n bietjie!<\/p>\n

\"Margaret<\/p>\n

Ek raap my goedjies bymekaar en stap na die regisseur met die hoop dat ek nie gekwyl het terwyl ek geslaap het nie …<\/p>\n

Die onderhoud is verfrissend en is gelaai met stories van hoe Robert Redford<\/strong> en Jodi Foster<\/strong> ingestem het om deel te wees van Be Natural<\/em>. Die regisseur het die regie van die dokument\u00eare gedoen, dit geskryf en verwerk sonder enige vorige ondervinding. Haar leuse blyk te wees: Neem die eerste tree en die res sal volg. My woorde, maar haar benadering en een waarmee ek identifiseer. Met die groetslag bedank sy my vir die insiggewende vrae. Ek stap weg en dink dit het gehelp dat ek \u2019n bietjie ingedut het!<\/p>\n

Dit is vieruur en ek is dood van die honger. Ek het sesuur die oggend ontbyt ge\u00ebet en die drie broodrolletjies het skaars aan die kante van my maag geraak. Ek stap oor na Nikki Beach en bestel middagete, net om te ontdek dat Cate Blanchett<\/strong>\u00a0\u2019n groep van 82 vroue sal lei teen die trappe van die Grand Palais<\/em> op vir \u2019n oomblik van stilte. Dit is \u2019n politieke aksie om die feit te beklemtoon dat slegs 82 vroue-regisseurs in die 71-jarige geskiedenis van die Cannes-filmfees ooit uitgenooi is na die hoofkompetisie, terwyl daar in dieselfde tydperk 1 688 mans vereer is. Dit is relevant aangesien dit \u2019n impak het op die vermo\u00eb van vroue-regisseurs om befondsing vir hul projekte te kry, om aandag op die produk te vestig, en om lokket-trefkrag te kry. Dit is \u2019n bydraende oorsaak vir die gebrek aan gelykheid, nie net in magsposisies nie, maar ook in betaalgelykheid. Die groep sluit die vermaaklikheidsmagte in Cannes in. Cate Blanchett, Ava DuVernay, Marion Cotillard, Salma Hayek, Lea Seydoux, Leila Bekhti, Sofia Bouterra, Patty Jenkins<\/strong> en Agn\u00e8s Varda<\/strong>\u00a0is net \u2019n paar van die vroue wat deelneem. Laasgenoemde is een van slegs twee regisseurs wat ooit die Palme d’Or<\/em> ontvang het. Jane Campion,\u00a0<\/strong>wat nie by die fees is nie, is die ander ontvanger. Terwyl die vroue die rooi tapyt op die trappe bestyg, voel mens dat geskiedenis besig is om voor jou o\u00eb te gebeur.<\/p>\n

\"Margaret

Nagereg by Nikki Beach<\/p><\/div>\n

Ek het \u2019n string partytjies om by te woon, maar ek het \u2019n dag met groot gesprekke gehad in glansryke plekke met mense wat die w\u00eareld verander. Ek wil reflekteer oor die kwessies wat bespreek word. M\u00f4re is die premi\u00e8re van Spike Lee<\/strong> se nuutste fliek. Ek hoop om by die Dior-suite in te loer want daar is \u2019n boetiek met ontwerpersklere wat ek belowe het om te verken. Die sjampanje en die vinnige lewe lok, maar ek s\u00ea: Nie vanaand nie.<\/p>\n

En soos Scarlet O’Hara<\/strong>\u00a0in\u00a0Gone With the Wind<\/em> ges\u00ea het: M\u00f4re is nog \u2019n dag.<\/p>\n

 <\/p>\n

Om nog foto’s te sien en om op hoogte te bly, volg gerus vir Margaret op Instagram by @margaret_gardiner<\/a>\u00a0en facebook by @margaretgardinerofficial<\/a><\/p>\n

 <\/p>\n

Lees ook: Margaret se Cannes-dagboek: Dag 1<\/a><\/p>\n

Margaret se Cannes-dagboek: Dag 2<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Margaret Gardiner was in Frankryk vir die Cannes-filmfees 2018. Sy het vir ons dagboek gehou: Lees dag drie se inskrywing hier. <\/p>\n","protected":false},"author":38,"featured_media":96093,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[682,52505,3476],"tags":[23450],"class_list":["post-96206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blogs","category-margaret-gardiner","category-ontspanning","tag-entertainment"],"acf":[],"yoast_head":"\nMargaret Gardiner se Cannes-dagboek: Dag 3 | rooi rose<\/title>\n<meta name=\"description\" content=\"Margaret Gardiner was in Frankryk vir die Cannes-filmfees 2018. 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