{"id":91185,"date":"2018-02-05T10:29:49","date_gmt":"2018-02-05T08:29:49","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=91185"},"modified":"2018-02-05T11:05:50","modified_gmt":"2018-02-05T09:05:50","slug":"simone-nortmann-gesels-oor-los-asseblief-n-boodskap","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/simone-nortmann-gesels-oor-los-asseblief-n-boodskap\/","title":{"rendered":"Simon\u00e9 Nortmann gesels oor &#8216;Los Asseblief \u2019n Boodskap&#8217;"},"content":{"rendered":"<p><em>&#8211; Deur Catherine Schenck. Foto&#8217;s deur\u00a0Chan\u00e9l van der Merwe<\/em><\/p>\n<p>Die veelsydige aktrise, <strong>Simon\u00e9 Nortmann<\/strong>, se eenvrouvertoning genaamd <em><strong>Los Asseblief \u2019n Boodskap<\/strong><\/em>, wys hierdie week by die Atterbury-teater in Pretoria.\u00a0Di\u00e9 gewilde stuk het verlede jaar by die <strong><em>Aardklop Nasionale Kunstefees<\/em><\/strong> gedebuteer en groot sukses behaal.<\/p>\n<p>Ons het met Simon\u00e9 oor die opwindende nuwe produksie gesels.<\/p>\n<p>&nbsp;<\/p>\n<h4>Waaroor handel <em>Los Asseblief \u2019n Boodskap<\/em>?<\/h4>\n<p>Die stuk gaan oor gewese platsak popster, Nina van Zyl, wat in die laat 90s \u2019n oproep ontvang van haar eks-k\u00earel in Kaapstad, Dirk, met nuus van sy kankerdiagnose. Nina probeer \u2019n paar <em>shows<\/em> re\u00ebl deur die land om betyds by hom uit te kom om afskeid te neem &#8211; en miskien haar terugkeer te maak na die poptoneel.<\/p>\n<p>&nbsp;<\/p>\n<h4>Vertel ons meer van jou karakter, Nina. Is daar ooreenkomstes tussen julle twee?<\/h4>\n<p>Daar is min ooreenkomstes tussen my en Nina, behalwe miskien vir die alter-ego popster binne my wat by haar aanklank vind. As klein dogtertjie het ek <strong>Britney Spears<\/strong> se liedjies met \u2019n borsel voor my spie\u00ebl uitbasuin en al die dansbewegings uit haar repetoire geleer, want miskien wou ons almal toe ons klein was soos Britney wees &#8211; tot sy haar hare afgeskeer het &#8230; As aktrise neem ek Nina se lewe waar en ek besef dat roem nie jou identiteit kan bepaal nie. As dit jou maak, kan dit jou ook breek.<\/p>\n<p>&nbsp;<\/p>\n<h4>Al is hierdie \u2019n eenvrouvertoning, is dit nie net een vrou wat <em>Los Asseblief \u2019n Boodskap<\/em> op die planke gebring het nie?<\/h4>\n<p><strong>Maude Sandham<\/strong> is my uiters bekwame regisseur en <strong>Louis Roux<\/strong> het die teks geskryf en dien as vervaardiger. <strong>Stefan Benade<\/strong> het ons fabelagtige <em>kitsch<\/em> stelontwerp behartig en <strong>Marius van Wyk<\/strong> is verantwoordelik vir Nina se album. Hy het ongelooflike verwerkings gedoen sodat die liedjies wat Nina \u201csteel\u201d, ons nie in die moeilikheid sal laat beland nie. <strong>Ilana Cilliers<\/strong> het ook die stemwerk gedoen van Nina se bestuurder, Angie, wat vir groot vermaak sorg.<\/p>\n<p>&nbsp;<\/p>\n<h4>Dit lyk asof julle groot pret het met die kostuums en dekor. Wat is die konsep daaragter?<\/h4>\n<p>Die hordes tinsel wat opgehang word, asook die ballonne wat Nina se naam uitspel, dink ek verteenwoordig Nina se ho\u00eb dink van haarself. Sy lewe in \u2019n popw\u00eareld-<em>bubble<\/em> waar alles net oor haar moet gaan en alles <em>glitsy and glamourous<\/em> is. Die dekor is redelik minimalisties omdat Nina van dorp tot dorp reis en die tafel en stoel moet gebruik as onder andere \u2019n kar, \u2019n toonbank, \u2019n brug ens.<\/p>\n<div id=\"attachment_91186\" style=\"width: 303px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91186\" class=\"wp-image-91186 \" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2018\/02\/LAB-3-e1517819502396-500x582.jpg\" alt=\"Simon\u00e9 Nortmann in Los Asb \u2019n Boodskap\" width=\"293\" height=\"341\" \/><p id=\"caption-attachment-91186\" class=\"wp-caption-text\">Foto deur Chan\u00e9l van der Merwe<\/p><\/div>\n<h4>Wat is die item wat jy die graagste sal wil hou na die produksie?<\/h4>\n<p>Ek sal definitief Nina se <em>life-sized<\/em> karton <em>cut-out<\/em> wil hou, en miskien een of twee van haar<em> tapes<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<h4>Watter boodskap hoop jy bereik die gehoor deur hierdie stuk?<\/h4>\n<p>Ek hoop om vir mense te wys hoe \u2019n gewonde popster se maskers lyk. As mense uit die teater stap en meegevoel kan h\u00ea met Nina, dan het ek in my vertolking geslaag. \u2019n Groot boodskap is natuurlik ook dat roem en rykdom en vreemdelinge se liefde nie jou identiteit kan bepaal nie. Nina verloor baie as gevolg van haar \u201cambisies,\u201d en sit later met groot spyt. Daar is groot lewenslesse wat kop uitsteek in hierdie stuk.<\/p>\n<p>&nbsp;<\/p>\n<h4>Vertel ons van iets snaaks wat \u201cagter die skerms\u201d gebeur het.<\/h4>\n<p>Ek het tydens <strong>Aardklop<\/strong> \u2019n tien-minuut segment by die ATKV-musiekverhoog gekry waartydens ek mense kon vermaak en besig hou voordat die volgende kunstenaar opgekom het. Ek was van plan om as Nina op te gaan, maar het halfpad deur weer myself geraak en eintlik nie \u2019n idee gehad wat ek doen nie. Daar was seker so 100 mense in die gehoor en toe ek vir hulle die lirieke wou leer van Nina se debuuttreffer, \u201c<em>Net Nog Een (Dans)<\/em>\u201d het ek skoon die lirieke vergeet. My vervaardiger het die hele ding op kamera vasgevang en hulle spot my nog steeds &#8230;<\/p>\n<p>&nbsp;<\/p>\n<h4>Wat is jou gunsteling-oomblik in die stuk?<\/h4>\n<p>Ek sukkel om een uit te sonder, maar ek hou veral van die toneel in die Saambou-bank in Verkeerdevlei waar Dawid Potgieter, amateur nutsman en vuurwapen-entoesias, \u2019n klomp mense gyselaar hou met die voorvereiste dat hy hulle sal laat gaan mits hy sewe <em>four-seasons<\/em> pizzas en \u2019n privaatvertoning deur Nina van Zyl kan kry.<\/p>\n<p>Kyk hier na die video van Simon\u00e9 as Nina, met Nina se debuuttreffer, <em>Net Nog Een (Dans):<\/em><\/p>\n<div class=\"video-container\"><iframe loading=\"lazy\" width=\"650\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PilRYL-eGJw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<h4>Jy het \u2019n geskiedenis in kabaret-werk. Hoe is dit om te kan sing vir \u2019n produksie?<\/h4>\n<p>Dit was aanvanklik intimiderend. Ek is baie lief vir sing, maar van al my vaardighede voel ek altyd d\u00eds die een wat meeste slypwerk nodig het. Die <em>recording-<\/em>sessie het egter suksesvol verloop en siende dat Nina net eintlik <em>lip-sync<\/em> in haar optredes (en soms vergeet om te sing) kan ek regtig fokus op die \u201c<em>performance-value<\/em>\u201d en \u201cBritney-bewegings.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<h4>Waar het jy leer sing?<\/h4>\n<p>Ek dink my ma-hulle het besef ek is lief vir sing toe ek eendag op die kerkbankie regop gestaan en uit volle bors uit die gesangeboekie begin sing het. Ek wou nie Sondagskool toe gaan nie, want dan kon ek nie saam met die grootmense sing nie. Ek het ook blykbaar gereeld die volkslied op KFC se toonbanke gesing vir \u2019n ekstra sappie.<\/p>\n<p>&nbsp;<\/p>\n<h4>Hoekom hou jy van kabaret-werk?<\/h4>\n<p>Kabaret-werk is \u2019n groot liefde vir my omdat dit sing, skryf en vertolking behels. Ek is lief vir die politiese invloed van kabaret, hoe jy deur middel van parodi\u00ebe, komedie en sketse \u2019n belangrike boodskap kan oordra. My kabaretsketse en karakters op universiteit was meermale gegrond op ons politici.<\/p>\n<p>&nbsp;<\/p>\n<h4>Jy vertolk die rol van Jony in die <em>mockumentary<\/em>\u00a0reeks\u00a0<em>Hotel<\/em>. Wat is die beste ding daarvan om in hierdie innoverende plaaslike komedie te speel?<\/h4>\n<p>Die ensemble en die goeie skryfwerk maak dit die moeite werd!<\/p>\n<p>&nbsp;<\/p>\n<h4>Waarom, volgens jou, is dit so gewild?<\/h4>\n<p>Ek dink dis so gewild omdat ons jonger generasie aanklank vind by dro\u00eb humor en begin wegbeweeg van <em>slapstick<\/em>\u00a0komedies. Die karakters is kompleks, dog ietwat absurd en dis natuurlik uiters vermaaklik.<\/p>\n<p>&nbsp;<\/p>\n<h4>Jy het ook die hoofrol in <em>Vir Die Vo\u00ebls<\/em> vertolk. Hoe was dit om jou eerste groot hoofrol te kon speel?<\/h4>\n<p><em>Vir Die Vo\u00ebls<\/em> was \u2019n ongelooflike toetrede tot die filmbedryf: \u2019n droom bewaarheid vir my. Ek het so baie daaruit geleer. Ek was (en is steeds) verstom deur die ontvangs daarvan, beide plaaslik en internasionaal. Mense vind aanklank by Irma se pyn en soms halstarrigheid. Dis liefde en leed, bitter en soet, tragies en komies en elke element van die regie, kostuums, musiek, spel en kamerawerk het saamgewerk om \u2019n baie sterk storie te vertel.<\/p>\n<p>&nbsp;<\/p>\n<h4>Jy het jou debuut op <em>7de Laan<\/em> gemaak as die moeilike tiener <em>Nadia Croukamp<\/em>. Hoe was jou ervaring op so \u2019n bekende sepie? Is daar steeds mense wat jou herken as Nadia?<\/h4>\n<p>Sepie-werk is harde werk. Jy is ure lank op stel, dra omtrent altyd \u2019n teks saam met jou, en moet in baie min tyd ho\u00eb gehalte spel lewer. Dit was direk na my gradeplegtigheid, so <em>7de Laan<\/em> was ook \u2019n groot vuurdoop vir my. Ek sal altyd dankbaar wees vir my drie jaar saam met hulle. Daar is nog mense wat my herken as Nadia, maar darem raas hulle nie meer met my nie.<\/p>\n<p>&nbsp;<\/p>\n<h4>Jy speel ook in die opkomende film <em>Wonderlus<\/em>. Wat was jou ervaring op stel? Waarom dink jy is dit belangrik om so \u2019n fliek te maak wat handel oor die kompleksiteit van liefde?<\/h4>\n<p>Dit was eerstens \u2019n massiewe voorreg om saam met so \u2019n talentvolle groep jong akteurs te kon werk. Dit was \u2019n sterk ensemble. Elkeen op stel het ook ingekoop op die boodskap van die film, asof daar \u2019n kollektiewe behoefte was vir \u2019n egte, rou, geen-tierlantyntjies romantiese drama. Die boodskap is baie relevant vir \u2019n jong gehoor wat met ernstige vrae worstel in terme van liefde wat deesdae baie emosioneel-gedrewe is.<\/p>\n<p>&nbsp;<\/p>\n<h4>Wat is die lekkerste ding wat jy nog moes doen in \u2019n verhoogstuk of voor die kamera?<\/h4>\n<p>Daar is groot lekkerte in alles, maar ek dink Nina se eskapades in <em>Los Asseblief \u2019n Boodskap<\/em> is my gunsteling &#8211; wie wil nie met \u2019n <em>fake<\/em> mikrofoon op \u2019n tafel staan en dans asof jy in \u2019n bank vir \u2019n klomp gyselaars sing nie? Dis groot pret!<\/p>\n<div id=\"attachment_91188\" style=\"width: 315px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91188\" class=\" wp-image-91188\" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2018\/02\/LAB-13-2-400x600.jpg\" alt=\"Simon\u00e9 Nortmann in Los Asb \u2019n Boodskap\" width=\"305\" height=\"458\" \/><p id=\"caption-attachment-91188\" class=\"wp-caption-text\">Foto deur Chan\u00e9l van der Merwe<\/p><\/div>\n<p>Die komedie volg die verhaal van \u2019n gewese popster in die 90s, Nina van Zyl. Dit gaan nie goed met haar nie; haar popster-loopbaan het albei voete in die graf, sy het al vir ses jaar lank <em>writer&#8217;s block<\/em> en nou het haar eks die vermetelheid om kanker te kry.<em> Classic<\/em> Dirk &#8230; Sy vat die langpad van Johannesburg na Kaapstad, dorp tot dorp. Miskien kan sy vir Dirk een laaste keer sien. En miskien kry sy \u2019n paar <em>gigs<\/em>. In elke dorp van haar toer beland Nina in situasies wat haar vooropgestelde idees oor haarself oopkraak. Die karakters wat sy ontmoet, nuut en oud, help haar om te laat gaan van haar verlede van vernederings en selfsugtigheid. In elke dorp word daar iets van haar afgesloof &#8211; haar narisisme, haar vrees, en haar spyt. Aan die einde maak sy dit deur die vagevuur van plattelandse Suid-Afrika as \u2019n beter persoon. Wel, soort van.<\/p>\n<p>Jy kan die vertoning van <em><strong>Los Asseblief \u2019n Boodskap<\/strong><\/em> op <strong>6 en 7 Februarie 2018<\/strong> sien by die <a href=\"http:\/\/www.atterburyteater.co.za\/shows\/\" target=\"_blank\" rel=\"noopener\">Atterbury-teater<\/a> in <strong>Pretoria<\/strong>. Die vertoning begin om 20h00 en eindig om 21h00 en kaartjies kos tussen <strong>R140<\/strong> en <strong>R160<\/strong>. Jy kan kaartjies bespreek deur <a href=\"https:\/\/online.computicket.com\/web\/event\/los_asseblief_n_boodskap\/1201179927\/0\/83672086\" target=\"_blank\" rel=\"noopener\">Computicket<\/a>\u00a0en jy kan die Atterbury-teater bel vir verdere navrae by\u00a0012 471 1700.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Die aktrise Simon\u00e9 Nortmann gesels met ons oor haar nuutste eenvrouvertoning, Los Asseblief \u2019n Boodskap, wat op 6 en 7 Februarie 2018 by die Atterbury-teater in Pretoria wys.  <\/p>\n","protected":false},"author":38,"featured_media":91187,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[661,675],"tags":[4251,4274,23644,24339,28097,20,1387],"class_list":["post-91185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ons-mense","category-bekendes","tag-rooi-rose-voorbladvrou","tag-afrikaanse-aktrise","tag-cover-star","tag-local-celebs","tag-ons-bekendes","tag-nuus","tag-celebs"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Simon\u00e9 Nortmann gesels oor &#039;Los Asseblief \u2019n Boodskap&#039; | rooi rose<\/title>\n<meta name=\"description\" content=\"Simon\u00e9 Nortmann gesels met ons oor haar eenvrouproduksie, Los Asseblief \u2019n Boodskap, wat op 6 en 7 Februarie 2018 opgevoer sal word by die 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