{"id":84420,"date":"2017-10-04T12:39:45","date_gmt":"2017-10-04T10:39:45","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=84420"},"modified":"2017-10-04T12:39:45","modified_gmt":"2017-10-04T10:39:45","slug":"ons-praat-met-laurinda-hofmeyr","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/ons-praat-met-laurinda-hofmeyr\/","title":{"rendered":"Ons praat met Laurinda Hofmeyr"},"content":{"rendered":"<p><strong>Laurinda Hofmeyr<\/strong>\u00a0het met ons gesels oor die rooi rose\/Revlon SA-produksie \u2018Landskap\u2019 wat vanjaar by\u00a0<strong>Aardklop\u00a0<\/strong>opgevoer word. In hierdie produksie bied vier kunstenaars hul toonsettings van Suid-Afrikaanse digters aan, insluitend gedigte van Ingrid Jonker,\u00a0N.P. van Wyk Louw,\u00a0Fanie Olivier,\u00a0Eug\u00e8ne Marais\u00a0en\u00a0Griekwa-psalms, onder andere.<\/p>\n<p>&nbsp;<\/p>\n<h4>Waaroor handel <em>Landskap<\/em>?<\/h4>\n<p><strong>Anna Davel<\/strong> het ons bymekaar gekry. Almal van ons het al heelwat toonsettings gedoen, so dit gaan oor \u2019n verkenning van Afrikaanse gedigte en daardeur ook die fisiese en psigiese landskappe van ons land en onsself. Maar musiek is die medium waardeur dit gedoen word, so dis \u2019n heerlike aff\u00eare.<\/p>\n<p>&nbsp;<\/p>\n<h4>Hoe ken al die musikante mekaar?<\/h4>\n<p>Ek en<strong> Lizanne Barnard<\/strong>\u00a0ken mekaar van ons universiteitsdae op Tukkies. Ons het albei musiek geswot. Ek het gedink niemand speel mooier as sy klavier nie.<\/p>\n<p>Vir <strong>Anna Davel<\/strong> het ek rondom 1997 by KKNK ontmoet en later al hoe beter leer ken deur verskeie kuiers in die Paarl.<\/p>\n<p>Ek ken vir <strong>Schalk<\/strong>\u00a0<strong>Joubert<\/strong> vanaf 1999 toe hy betrokke geraak het by my eerste CD. Sedertdien speel hy konstant saam met my en is hy musikale regisseur van omtrent al my CD&#8217;s.<\/p>\n<p><strong>Kevin Gibson<\/strong> ken ek deur Schalk (soos ek almal leer ken het wat al saam met my gespeel het!) Hy en Schalk vorm my kern-orkes. Hy speel ook op drie van my CD&#8217;s.<\/p>\n<p>Vir<strong> Leon Gropp<\/strong> ken ek nog nie so goed nie. Ek sien wel vreeslik uit daarna om saam met hom te werk.<\/p>\n<p>Leer ken Laurinda se medesangers by <em><strong>Landskap<\/strong><\/em>. Kyk hier na ons onderhoude met <a href=\"https:\/\/novanews.co.za\/rooirose\/die-landskap-van-anna-davel\/\" target=\"_blank\" rel=\"noopener\">Anna Davel<\/a>, <a href=\"https:\/\/novanews.co.za\/rooirose\/in-gesprek-met-lizanne-barnard\/\" target=\"_blank\" rel=\"noopener\">Lizanne Barnard<\/a> en <a href=\"https:\/\/novanews.co.za\/rooirose\/leon-gropp\/\" target=\"_blank\" rel=\"noopener\">Leon Gropp<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Wat dra elkeen van julle (saam met die begeleidingsorkeslede) by tot hierdie produksie?<\/h4>\n<p>Elkeen van ons se musiek klink anders, elkeen het \u2019n unieke &#8220;stem,&#8221; so daar is lekker afwisseling. Dan is daar <strong>Schalk<\/strong> (baskitaar) en <strong>Kevin<\/strong> (tromme) wat die atmosfeer van enige toonsetting kan vasvang met wat hulle doen omdat hulle met insig speel en natuurlik uiters vaardig is.<strong> Leon<\/strong> speel ook kitaar en ek en <strong>Lizanne<\/strong> speel klavier. Wat hierdie produksie so lekker maak, is dat ons mekaar begelei en ook saamsing.<\/p>\n<div id=\"attachment_84543\" style=\"width: 324px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-84543\" class=\" wp-image-84543\" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2017\/10\/Lau-2-Kleur-1-400x600.jpg\" alt=\"LaurindaHofmeyr\" width=\"314\" height=\"471\" \/><p id=\"caption-attachment-84543\" class=\"wp-caption-text\">Foto deur Melinda Fouch\u00e9<\/p><\/div>\n<h4>Jy het jou loopbaan gekerf om toonsettings. Waarom is toonsetting vir jou belangrik?<\/h4>\n<p>\u2019n Goeie toonsetting is soos \u2019n goeie voordrag wat help om \u2019n gedig duideliker of helderder te laat praat. Die voordeel van musiek daarby is dat die gedig soms makliker verteerbaar raak. Toonsettings kan \u2019n mens dus intrek om po\u00ebsie verder te verken.<\/p>\n<p>&nbsp;<\/p>\n<h4>Hoekom het jy begin om gedigte te toonset?<\/h4>\n<p>Ek het van gedigte gehou en ek wou liedjies maak waarvan my vriende sou hou &#8230; dit was \u2019n logiese stap. Dit het ook gebeur na aanleiding van die kort strofes wat ons in die komposisieklas moes toonset (ek het musiek as vak geneem op skool).<\/p>\n<p>&nbsp;<\/p>\n<h4>Wat is die mees ingewikkelde ding van toonsetting?<\/h4>\n<p>Die uitdaging is seker om die gedig as liedjie te laat werk sonder om die gedig in \u2019n vorm of melodie in te druk. Die musiek moet uit die woorde groei maar op die ou end tog musikaal logies en lekker klink.<\/p>\n<p>&nbsp;<\/p>\n<h4>En die lekkerste deel?<\/h4>\n<p>Dis lekker om regtig diep te grawe in elke woord van die gedig, dis soos om te myn vir skatte. Hoe meer jy dink oor wat elke re\u00ebl wil s\u00ea, hoe meer kry die gedig \u2019n kleur en begin jy \u2019n idee kry van wat jy met die musiek wil s\u00ea. Die lekkerste is natuurlik as \u2019n toonsetting sommer so vanself gebeur, as dinge in plek val sonder te veel moeite en jy weet dit werk.<\/p>\n<p>&nbsp;<\/p>\n<h4>Een van jou eerste toonsettings,\u00a0<em>Ek het \u2019n Huisie by die See<\/em>\u00a0van H.A. Fagan, is alombekend. Wat het jou getrek om dit te toonset?<\/h4>\n<p>Ek wou \u2019n liedjie maak waarvan my vriende sou hou, so ek soek toe in die <em>Groot Verseboek<\/em> na \u2019n gedig wat ek (toe 16 jaar oud was) kon verstaan &#8230;<\/p>\n<p>&nbsp;<\/p>\n<h4>Di\u00e9 lied is ook daarna deur Laurika Rauch opgeneem. Hoe het dit gebeur?<\/h4>\n<p>My ma en haar pa is klein- neef en niggie, haar ma het my ma se trourok gemaak. Toe ek in st. 9 was, was daar \u2019n familiefees (die Laurie&#8217;s) waar ek haar ontmoet het. My ma het ges\u00ea ek moet vir haar &#8220;Huisie&#8221; speel en sy wou dit dadelik gebruik. Maar dit het toe eers gebeur toe ek in my tweede jaar op universiteit was, en ek klavierles gekry het by <strong>Wessel van Wyk<\/strong>, wat ook op daardie stadium haar begeleier was.<\/p>\n<p>&nbsp;<\/p>\n<h4>Jy kom uit \u2019n musikale familie. Vertel ons meer daarvan en is dit die rede waarom jy musiek as loopbaan gekies het?<\/h4>\n<p>Van my mooiste kinderherinneringe was wanneer my ma en pa saans by sagte lig musiek gemaak het, my ma op klavier en my pa op viool. Ek het ook baie musikale familielede aan my ma \u00e9n pa se kant, waarvan die bekendste seker my niggies<strong> Zanta Hofmeyr<\/strong> en <strong>Malane Hofmeyr-Burger<\/strong> is.<\/p>\n<p>Ek het musiek gaan studeer\u00a0omdat ek die meeste talent in daardie rigting getoon het, en dis seker die gevolg van gene, wat met familie te doen het &#8230;<\/p>\n<p>&nbsp;<\/p>\n<h4>Wie is jou gunsteling- Afrikaanse digter? En het jy \u2019n gunsteling gedig?<\/h4>\n<p>Ek het gevind dat as ek deur die <em>Groot Verseboek<\/em> blaai, ek dikwels by <strong>Breyten Breytenbach<\/strong> vashaak. Een van my gunstelinggedigte is <em>Vervulling<\/em>\u00a0van <strong>S.J. Pretorius<\/strong> wat \u2019n snit is op my CD <em>wat ek wou s\u00ea<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<h4>Jy het \u2019n SAMA-benoeming vir jou eerste album <em>Perd oor die Maan<\/em> ontvang en verskeie ander toekennings, soos <em>Geraas<\/em>, vir jou musiek ontvang, asook die FAK-toekenning vir kultuurprestasie in 2008. Hoe voel dit om erken te word vir jou toonsettings? Dink jy toekennings dra by tot bewusmaking van musiek, veral di\u00e9 wat dalk meer gerig is op niche-gehore (of musiek wat nie noodwendig hoofstroom-kommersie\u00ebl is nie)?<\/h4>\n<p>Dis altyd lekker om erkenning te kry. Ek dink in \u2019n ideale w\u00eareld moet toekennings net kyk na die kwaliteit van \u2019n CD, om sodoende die aandag te vestig op \u2019n produk wat verdien om geluister te word al is die kunstenaar nie noodwendig so bekend of gewild nie.<\/p>\n<p>&nbsp;<\/p>\n<h4>Wat was, tot dusver, hoogtepunte in jou loopbaan?<\/h4>\n<p>Dis definitief \u2019n hoogtepunt om saam met Anna en Lizanne \u2019n verhoog te deel!<\/p>\n<p>Dan is die ander projek waarmee ek nou besig is ook nogal \u2019n hoogtepunt. Ek het toonsettings gedoen van Franse gedigte uit Afrika en die CD met die titel <em>Afrique mon d\u00e9sir<\/em>\u00a0is op pad drukkers toe. Vir die eerste keer is ek deel van \u2019n groter projek, daar is <em>&#8220;backing&#8221;<\/em> en momentum agter my en daar word groter gedink as waaraan ek gewoond is. En ek sing in Frans!<\/p>\n<p>&nbsp;<\/p>\n<h4>Watter ander toonsetters bewonder jy?<\/h4>\n<p>Die mense op<em><strong> Landskap<\/strong><\/em> se verhoog, natuurlik!<\/p>\n<p><a href=\"https:\/\/novanews.co.za\/rooirose\/groot-nuus-rooi-rose-is-vanjaar-by-aardklop\/\" target=\"_blank\" rel=\"noopener\">Lees meer oor die produksie Landskap wat by hierdie jaar se Aardklop opgevoer sal word<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>\u00a0Vertel ons meer van jou gesin.<\/h4>\n<p>Ek en my man, Jantjie, en dogter, Joanie (12), bly in die Paarl saam met ons twee brakke, Steffie en Herman. Hulle is my huis en my hart.<\/p>\n<p>&nbsp;<\/p>\n<h4>Wat het moederskap jou geleer?<\/h4>\n<p>Die tyd vlieg! Die lewe is kort.<\/p>\n<p>Lees meer oor <a href=\"https:\/\/novanews.co.za\/rooirose\/die-engele-om-ons\/\" target=\"_blank\" rel=\"noopener\">Laurinda se toonsettings van Breyten Breytenbach se gedigte<\/a><\/p>\n<p>Lees ook watter <a href=\"https:\/\/novanews.co.za\/rooirose\/ek-maar-toe-geweet-het\/\" target=\"_blank\" rel=\"noopener\">raad Laurinda aan haar sestienjarige self sou gee<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laurinda Hofmeyr gesels met ons oor die Aardklop-produksie Landskap, toonsettings en die liedjie &#8220;Ek het \u2019n huisie by die see.&#8221; Deur Catherine Schenck. Foto&#8217;s deur Melinda Fouch\u00e9. <\/p>\n","protected":false},"author":38,"featured_media":84429,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[661,675],"tags":[1387,1827,6166,24339,28097],"class_list":["post-84420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ons-mense","category-bekendes","tag-celebs","tag-aardklop","tag-afrikaanse-sangers","tag-local-celebs","tag-ons-bekendes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ons praat met Laurinda Hofmeyr | rooi rose<\/title>\n<meta name=\"description\" content=\"Laurinda Hofmeyr gesels met ons oor die rooi rose &amp; Revlon SA-produksie Landskap, toonsettings en die lied &quot;Ek het \u2019n huisie by die see.&quot;\" \/>\n<meta name=\"robots\" content=\"index, follow, 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