{"id":166799,"date":"2026-08-03T15:42:41","date_gmt":"2026-08-03T13:42:41","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=166799"},"modified":"2026-08-03T15:42:41","modified_gmt":"2026-08-03T13:42:41","slug":"liefde-gedy-in-stilistiese-komiese-kortprent-twee-persent","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/liefde-gedy-in-stilistiese-komiese-kortprent-twee-persent\/","title":{"rendered":"Liefde gedy in stilistiese komiese kortprent \u2018Twee persent\u2019"},"content":{"rendered":"

Verskaf deur kykNET<\/em><\/p>\n

 <\/p>\n

In die stilistiese en komiese kortprent <\/span>Twee persent<\/span><\/i> betree die kyker \u2019n soort parallelle w\u00eareld van skoonheid en onskuld wat herinner aan \u2019n vroe\u00ebre tydperk \u2013 \u2019n liefdesverhaal wat onbeskaamd ontvlugting bied.<\/span>\u00a0<\/span><\/p>\n

Michelle le Roux, skrywer, mede-regisseur en in die vroulike hoofrol van Charlotte, s\u00ea dit is \u2019n eenvoudige storie van twee mense wat \u2019n band met mekaar vorm, iets waarby almal kan aanklank vind. \u201cOns almal wil soms net <\/span>escape, hence one of the reasons why we create<\/span><\/i>.\u201d<\/span>\u00a0<\/span><\/p>\n

En so ontvou die verhaal dan van Charlotte<\/strong> en die melkman, Ernest<\/strong> (Albert Pretorius) in <\/span>Twee persent<\/span><\/i>, wat einde Augustus by die kykNET Silwerskermfees in Kaapstad debuteer.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>\"TWEE<\/h4>\n

 <\/p>\n

Waar kom die idee vandaan? En is jy nie bietjie te jonk om te weet van melkaflewering nie?\u00a0<\/span><\/b>\u00a0<\/span><\/h4>\n

Dit was \u2019n eenvoudige <\/span>What if<\/span><\/i>-oomblik terwyl ek die dag gesit en een van vele koppies tee gedrink het: \u201cHelp, I am in love with the milkman but I\u2019m lactose intolerant…\u201d Die idee dat \u2019n allergie in die pad van twee mense kan staan.\u00a0<\/span>\u00a0<\/span><\/p>\n

Weet die \u201cjonges\u201d nie van die melkman nie? Dalk is dit van te veel TCM (\u2019n kanaal met klassieke rolprente) kyk as \u2019n kind.\u00a0<\/span>\u00a0<\/span><\/p>\n

Terloops, Heinrich Laubscher (mede-regisseur) se oupa het destyds \u2019n melkery in die Weskus besit.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Dit speel af in die verbeelde voorstad Suville met die mense met hul geordende bestaan. En Charlotte met die laktose-intoleransie woon in Pasteurstraat. En die kortfilm se titel… Wat is die uitdagings om \u2019n komiese prent te skryf.\u00a0<\/span><\/b>\u00a0<\/span><\/h4>\n

Komedie is \u2019n baie moeilike genre want dis besonders subjektief. Ek sit langs die kantlyn en skryf\/vertel wat ek dink snaaks en absurd is, want daar is altyd iets om oor te skryf uit die alledaagse \u2013 \u2019n individu, \u2019n huisgesin, \u2019n buurt wat alledaags en normaal lyk.\u00a0<\/span>\u00a0<\/span><\/p>\n

Ek dink <\/span>Twee persent <\/span><\/i>se tipe komedie is iets wat almal kan geniet \u2013 dit is \u2019n selfbewuste knipoog vir die kyker.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Die visuele aanslag is een van ouw\u00eareldse sjarme en gedempte fleurigheid. Is dit hoe jy dit geskryf het?\u00a0<\/span><\/b>\u00a0<\/span><\/h4>\n

Dit is inderdaad. Die buurt van Suville is \u2019n parallelle w\u00eareld tot ons s\u2019n, \u2019n w\u00eareld met sy eie <\/span>what ifs <\/span><\/i>and <\/span>how comes? <\/span><\/i>Daar is byvoorbeeld geen tegnologie wat gesien kan word nie, behalwe \u2019n elektroniese melkwa.\u00a0<\/span>\u00a0<\/span><\/p>\n

Die w\u00eareld voel bekend want dit is tog, daar is net-net iets anders, vreemd. Kykers kry die geleentheid om hulself in \u2019n nuwe w\u00eareld in te leef. Dit laat jou dink aan iets wat bestaan het, maar nie heeltemal soos mens dit onthou nie.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Hoe was dit om saam met jou mede-regisseur te werk? Dit is julle debuut as regisseurs vir \u2019n narratiewe kortfilm. Het julle saamgewerk aan die visie van die prent?\u00a0<\/span><\/b>\u00a0<\/span><\/h4>\n

Nie sonder uitdagings nie, maar dit help dat ons al oor die vyf jaar \u2019n paartjie is. Ons ken mekaar goed en vul mekaar aan, soos in die clich\u00e9s \u2013 ons is <\/span>crunchy peanut butter<\/span><\/i> en stroop saam op \u2019n toebroodjie<\/span>\u2026\u00a0<\/span>\u00a0<\/span><\/p>\n

Ons het saam aan die visie gewerk, veral later in die skryfproses toe ek hom betrokke gekry het as mede-regisseur (ek moes maar sy arm draai, hy was bang ons baklei). Hy was \u2019n <\/span>sounding board<\/span><\/i>, wat my soms moes terugbring <\/span>aarde toe.\u00a0<\/span>\u00a0<\/span><\/p>\n

Ons het al ook al voorheen baie op stel saamgewerk \u2013 van musiekvideo\u2019s tot korporatiewe onderhoude.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>\u00a0<\/span><\/p>\n

Terloops, bestaan daai voorstad wat mens aan die begin sien werklik?\u00a0<\/span><\/b>\u00a0<\/span><\/h4>\n

Dit bestaan! Ons het gesoek vir die perfekte buurt, van een plek na \u2019n ander, maar niks het regtig vir ons die gevoel van Suville gegee nie. \u2019n Tannie wat ek ken het Oude Westhof-aftreeoord in Bellville voorgestel. Van die oomblik wat ons deur die hekke gery het, het ons besef dit is perfek. Ons kon toe alles op <\/span>location<\/span><\/i> verfilm, en is so dankbaar vir die mense van die aftreeoord \u2013 vriendelik, gretig om te help en lekker nuuskierig.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Heinrich, vertel meer van die klanklandskap, want klank en musiek speel \u2019n belangrike rol. En ook van die gebruik van oorhoofse skote.\u00a0<\/span><\/b>\u00a0<\/span>\u00a0<\/span><\/h4>\n

Musiek en film gaan hand aan hand. Michelle het van die begin af geweet presies hoe die musiek vir die film moet klink gebaseer op haar visie. Sy het deur \u2019n eindelose katalogus van musiek gegaan.\u00a0 Die uitdaging vir my was om seker te maak die musiek se emosionele punte val op die regte plek van wat ons op die skerm sien. Omdat 95% van die film nie dialoog het nie (daar is wel \u2019n verteller), moes die musiek die storie help vertel en in sommige gevalle het dit ook die redigering van elke toneel bepaal.\u00a0<\/span>\u00a0<\/span><\/p>\n

Wat die oorhoofse skote betref, was dit iets wat ons ook van die begin af geweet het ons in die film wou h\u00ea. Ons het dit met ons kinematograaf, Michael Ellis, bespreek en vir ons was dit ononderhandelbaar. Ons het gevoel dat die oorhoofse skote die storie van die betrokke tonele die beste visueel sou vertel. Michael en die <\/span>grips<\/span><\/i> het die dinge laat gebeur, en ons is baie gelukkig met die eindresultaat.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Michelle, het jy ander draaiboeke in gedagte om mense se lewens op te kikker?\u00a0<\/span><\/b>\u00a0<\/span><\/h4>\n

Baie. Hoop ek. My kop en notaboekies is vol stories en idees en ek is reeds besig met twee ander draaiboeke (in ontwikkeling). Kom ons s\u00ea ek bou dalk my eie <\/span>universe <\/span><\/i>en dalk speel al hierdie stories af in dieselde een. Suville kan dus dalk net deel van \u2019n groter w\u00eareld in hierdie parallelle w\u00eareld wees, in \u2019n <\/span>liminal space<\/span><\/i>, of mens kan dit self \u2019n soort <\/span>twilight zone <\/span><\/i>n<\/span>oem. Die stories wat ek tans aan werk, is ook komies in aanslag, maar donkerder en meer satiries oor die lewe in \u2019n voorstad. (Ek het grootgeword in \u2019n tipiese voorstad en daar was altyd \u2019n gevoel dat iets onder die oppervlak borrel.) Ek hou van en gaan soek na die <\/span>weirdness, strangeness, absurdity of the everyday<\/span><\/i>.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

*Die 14de kykNET Silwerskermfees word van 19 tot 22 Augustus in Kampsbaai, Kaapstad, aangebied. Kaartjies vir die films, asook die prestigeryke toekenningsgeleentheid op Saterdag 22 Augustus, is beskikbaar by Quicket.\u00a0<\/strong><\/p>\n

Vir die volledige program, besoek <\/span>www.silwerskermfees.co.za<\/span><\/a>.<\/span><\/p>\n

 <\/p>\n

Lees ook: Drie legendes vanjaar by Silwerskermtoekennings vereer<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Verskaf deur kykNET   In die stilistiese en komiese kortprent Twee persent betree die kyker \u2019n soort parallelle w\u00eareld van skoonheid en onskuld wat herinner aan \u2019n vroe\u00ebre tydperk \u2013 \u2019n liefdesverhaal wat onbeskaamd ontvlugting bied.\u00a0 Michelle le Roux, skrywer, […]<\/p>\n","protected":false},"author":66,"featured_media":166802,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3476],"tags":[166,2560,5039,98096,98097],"class_list":["post-166799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ontspanning","tag-kyknet","tag-silwerskermfees","tag-kortfilm","tag-michelle-le-roux","tag-twee-persent"],"acf":[],"yoast_head":"\nLiefde gedy in stilistiese komiese kortprent \u2018Twee persent\u2019 | rooi rose<\/title>\n<meta name=\"description\" content=\"In die stilistiese en komiese kortprent Twee persent 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