{"id":166262,"date":"2026-07-08T13:01:04","date_gmt":"2026-07-08T11:01:04","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=166262"},"modified":"2026-07-08T13:01:04","modified_gmt":"2026-07-08T11:01:04","slug":"r2-munt-bied-perspektief-op-klasverskille-en-veranderinge-in-sa-in-change","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/r2-munt-bied-perspektief-op-klasverskille-en-veranderinge-in-sa-in-change\/","title":{"rendered":"R2-munt bied perspektief op klasverskille en veranderinge in SA in \u2018Change.\u2019"},"content":{"rendered":"

Verskaf deur kykNET<\/em><\/span><\/p>\n

 <\/p>\n

In die kortfilm Change.<\/span><\/i> word die kyker op \u2019n wipwaentjierit uit die oogpunt van \u2019n tweerand-muntstuk geneem. Buiten dat dit \u2019n unieke blik op die lewens van stedelike Suid-Afrikaners bied, ondersoek dit ook die tema van die waarde van geld.\u00a0<\/span><\/p>\n

Elke karakter beeld \u2019n ander sosio-ekonomiese klas uit, met elkeen se perspektief op geld. Dit wat jy in jou sak dra of nie, verklap baie meer van jou as wat jy dink…\u00a0<\/span><\/p>\n

 <\/p>\n

Vrae aan Frances Sholto-Douglas, skrywer-regisseur<\/b><\/h2>\n

Jy maak jou debuut as draaiboekskrywer en filmregisseur met <\/b>Change<\/i><\/b>. Van waar die sprong van toneelspel na skrywer en filmmaker?<\/b><\/h4>\n

Om uit te brei na skryfwerk en regie het vir my soos natuurlike vordering gevoel. Vroe\u00ebr in my akteursloopbaan was dit belangrik om uitsluitlik op toneelspel te fokus. Ek wou nie my aandag tussen te veel kreatiewe aktiwiteite verdeel nie. Maar nou bevind ek my op \u2019n goeie plek om op betekenisvolle maniere my vaardighede uit te brei. Ek is baie gelukkig dat ek die geleentheid gekry het om dit te doen.<\/span><\/p>\n

 <\/p>\n

Hoekom \u2019n storie oor kontant en kleingeld wat aan die verdwyn is? Is jy nie juis van die generasie wat \u2019n kontantlose w\u00eareld voorstaan nie?<\/b><\/h4>\n

Kontant is \u2019n groot deel van Suid-Afrika se ekonomie, veral vir verbruikers met \u2019n laer inkomste. Daar is dus \u2019n element van klassisme wanneer \u2019n besigheid die kontantlose roete kies. Baie koffiewinkels, klerewinkels en restaurante in Kaapstad aanvaar nie meer kontant nie. Met <\/span>Change.<\/span><\/i> wou ek die idee verken van \u2019n groter besigheid wat di\u00e9 roete volg, en wys wie dit kan be\u00efnvloed \u2013 en hoekom ‘n kontantlose koffiewinkel nie in isolasie van \u2019n spaza-winkel om die hoek funksioneer nie. <\/span><\/p>\n

Ek glo my persoonlike geskiedenis met munte kom in die draaiboek uit, want ek het grootgeword met die tandemuis en tiensent-Chappies. Daar is \u2019n magiese element daaraan dat een munt so ver kan reis en deur so \u2019n uiteenlopende verskeidenheid mense hanteer word. Die een met die munt weet nie waar dit was nie of wat dit gaan beteken vir die volgende persoon wat dit kry nie.<\/span><\/p>\n

 <\/p>\n

Die storie word vertel uit die oogpunt van \u2019n R2-muntstuk. Dit het \u2019n groot invloed op die kamerawerk. Wei asb. uit daaroor.<\/b><\/h4>\n

Ons doel was om vir die gehoor die munt se gesigspunt te wys, wat nou ruimtes en dinamiese beweging vereis het. Die gehoorlid moet voel hoe dit is om klein te wees en voortdurend aan die beweeg. Die gebruik van \u2019n makro-sondeerderlens en \u2019n 360-kamera was noodsaaklik om hierdie visie te realiseer. Die sondeerderlens het ons in staat gestel om maklik in en uit klein ruimtes te beweeg. Deur vol te hou met hierdie perspektief, word die kyker as die munt \u2019n voyeur sonder om te oordeel. Ons vorm \u2019n band met die karakters waarmee ons in aanraking kom, terwyl daar ook \u2019n afstand gehou word. <\/span><\/p>\n

Die 360-kamera het die rol-effek moontlik gemaak, \u2019n w\u00eareld geskep wat vinnig beweeg. Om met die rolprentkameraman Werner Botha te werk, was \u2019n droom; benewens sy tegniese vaardigheid was hy oopkop en bereid om die ekstra myl te loop om uiters uitdagende skote aan te pak. Ons stelontwerper,\u00a0 Natalie Fraser, het ook \u2019n groot rol gespeel om skynbaar onmoontlike hoeke moontlik te maak deur allerlei goed te bou \u2013 van \u2019n <\/span>pocket rig<\/span><\/i> tot \u2019n afvoersloot.<\/span><\/p>\n

 <\/p>\n

Kaapstad is amper \u2019n karakter op sy eie. Is dit jou grootword-stad? Hoe span jy Kaapstad en sy mense in?<\/b><\/h4>\n

Ek is so bly dat dit so oorkom. Ja, ek het in Kaapstad grootgeword en ek het my hele lewe hier gewoon. Ek het \u2019n ingewikkelde verhouding met die stad, wat bekend is vir sy ruimtelike apartheid en die ongelykheid ten opsigte van mense se finansi\u00eble vermo\u00ebns, en met my rol in die stad. Op \u2019n manier is hierdie kortfilm deel van my kritiese beskouing van die stad en my reis om my plek daarin te vind.<\/span><\/p>\n

 <\/p>\n

Vertel meer oor die musiek.<\/b><\/h4>\n

Aanvanklik was my plan om die stad se geluide as \u2019n klanklandskap te gebruik. Ek het gedink dat \u2019n musiekkomposisie die aandag sal aflei van die emosielose, onpartydige perspektief van die munt. Gelukkig het die hoog aangeskrewe filmmusiekkomponis Edward George King later in die proses my verkeerd bewys. Sy musiek het \u2019n \u201cstem\u201d vir die munt gegee wat die film volkome verander het.<\/span><\/p>\n

 <\/p>\n

Het jy kleingeld in jou beursie?<\/b><\/h4>\n

Ek het tans kontant in my foonomhulsel en \u2019n paar munte op my bedkassie \u2013 en ja, een van hulle is \u2019n tweerand-munt.<\/span><\/p>\n

 <\/p>\n

Jy is glo reeds besig met jou volgende draaiboek. Waaroor gaan dit en wat is die planne daarmee?<\/b><\/h4>\n

Ek skryf al \u2019n paar jaar aan \u2019n draaiboek oor \u2019n grootword-storie, en ek het \u2019n paar kortfilms gereed om verfilm te word. Ek is gretig om in die nabye toekoms nog \u2019n kortfilm te maak, en uiteindelik wil ek my draaiboek klaar skryf en dit as \u2019n speelfilm regisseer.<\/span><\/p>\n

Ek was ongelooflik bevoorreg om hierdie geleentheid te kry om <\/span>Change.<\/span><\/i> te maak. Dit was een van die mees lonende ervarings van my lewe.<\/span><\/p>\n

 <\/p>\n

Die 14<\/strong><\/span>de kykNET Silwerskermfees word van 19 tot 22 Augustus in Kampsbaai, Kaapstad, aangebied. Kaartjies vir die films, asook die prestigeryke toekenningsgeleentheid op Saterdag 22 Augustus, is beskikbaar by Quicket.<\/strong><\/p>\n

Vir die volledige program, besoek <\/span>www.silwerskermfees.co.za<\/span><\/a>.<\/span><\/p>\n

 <\/p>\n

Lees ook: Staan nader, huiskokke en onthoukokke \u2013 dis weer tyd om in te skryf vir Kokkedoor!<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Verskaf deur kykNET   In die kortfilm Change. word die kyker op \u2019n wipwaentjierit uit die oogpunt van \u2019n tweerand-muntstuk geneem. 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