{"id":156392,"date":"2025-07-29T14:56:58","date_gmt":"2025-07-29T12:56:58","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=156392"},"modified":"2025-07-29T15:39:08","modified_gmt":"2025-07-29T13:39:08","slug":"156392-2","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/156392-2\/","title":{"rendered":"Die man agter &#8216;N\u00earens, Noord-Kaap&#8217; gesels oor sy donker en simboliese nuwe film"},"content":{"rendered":"<p><span data-olk-copy-source=\"MessageBody\"><strong><em data-olk-copy-source=\"MessageBody\">Hen<\/em><\/strong>, \u2019n nuwe film uit die pen van skrywer en regisseur <strong>Nico Scheepers<\/strong> (wat ook die skrywer en regisseur van die trefferreeks <em>N\u00earens, Noord-Kaap <\/em>was), is \u2019n kykervaring wat lank n\u00e1 die eindkrediete klaar gerol het, steeds by kykers sal spook. Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat. Wat volg is donker, vreemd en gevul met onsekerheid.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-156399 aligncenter\" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1-424x600.jpg\" alt=\"\" width=\"424\" height=\"600\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span data-olk-copy-source=\"MessageBody\">Nico vertel oor die simboliek van hoenders in di\u00e9 film, die rol van stilte, en hoe geloof in afsondering begin vorm aanneem op maniere wat beide eerlik en ontstellend is.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4><strong><em>Hen<\/em><\/strong><strong>\u00a0is heeltemal in swart en wit verfilm, iets wat ons glad nie in moderne Afrikaanse rolprente sien nie. Buiten die visuele trefkrag, maak die afwesigheid van kleur sekere tonele selfs meer ontstellend. Hoe wou jy h\u00ea moes hierdie visuele styl die kyker se emosionele ervaring be\u00efnvloed?<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>Ons het baie vroeg besluit om\u00a0<em>Hen<\/em>\u00a0in swart en wit te verfilm. Kleur sou te veel verduidelik, te veel versag. Weg is die warm rooi van bloed of sonlig wat die veld mooi maak. Jy\u2019t bloot tekstuur, beweging en stilte. Dit dwing \u2019n mens om nader te kyk. Die slagtoneel byvoorbeeld: jy is veel meer ingestel op die klanke, die handelinge, die ritueel daarvan. En juis die afwesigheid van kleur laat jou verbeelding harder werk. Dit maak die toneel amper meer ontstellend, want wat jy nie sien nie, spook harder. Ons wou h\u00ea die visuele styl moes \u2019n sekere nugterheid, selfs heiligheid, aan die w\u00eareld gee, asof jy na iets kyk wat lankal verby is, soos \u2019n droom of \u2019n herinnering wat jy nie kan losskud nie.<\/p>\n<p>&nbsp;<\/p>\n<h4><strong>In\u00a0<em>Hen<\/em>\u00a0hoor ons die eerste woorde eers n\u00e1 18 minute. Di\u00e9 uitgerekte stilte skep \u2019n gevoel van spanning, heiligheid en selfs onheil. Wat het jou daartoe gelei om taal s\u00f3 lank terug te hou, en watter rol speel stilte vir jou in die film se emosionele en psigologiese landskap?<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>Ek dink stilte is \u2019n wapen om in te span in \u2019n film soos hierdie. Daar is spanning in stilte. Afwagting. Vrede. Onheil. Die film was \u2019n poging om die tekstuur van die klank, die visuele, te gebruik om die storie te vertel, veel eerder as dialoog. Ek vind die stilte van isolasie veel meer vreesaanjaend as \u2019n <em>jump scare<\/em>. Daar is \u2019n groot verskil tussen \u2019n goedkoop fisiologiese skrik, en iets wat stadig soos \u2019n maaier in jou kop in boor.<\/p>\n<p>&nbsp;<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-156392 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/novanews.co.za\/rooirose\/156392-2\/dawid-stian-bam-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"600\" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/DAWID-Stian-Bam-1-424x600.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/novanews.co.za\/rooirose\/156392-2\/hanna-amalia-uys\/'><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"600\" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HANNA-Amalia-Uys-424x600.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/novanews.co.za\/rooirose\/156392-2\/lukas-dawian-van-der-westhuizen\/'><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"600\" src=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/LUKAS-Dawian-van-der-Westhuizen-424x600.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<h4><strong>Hoe het jy die teenwoordigheid van godsdiens benader in\u00a0<em>Hen<\/em>, en wat wou jy ondersoek oor die invloed daarvan op hierdie gesin se werklikheid?<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>Geloof in\u00a0<em>Hen<\/em>\u00a0is nie net \u2019n tematiese draad nie, maar \u2019n kragveld. Iets wat al generasies lank op die Afrikaner-psige inwerk. In ons kultuur het godsdiens nie net as geestelike anker gefunksioneer nie, maar ook as sosiale struktureerder: dit het bepaal wat goed en sleg is, wat gesond is en wat sonde is. Maar in\u00a0<em>Hen<\/em>\u00a0het daardie strukture begin verbrokkel. Wat oorbly, is \u2019n afgesnyde gesin wat probeer vashou aan enigiets wat betekenis kan gee, al is dit gebroke, deurmekaar, of uit plek uit.<\/p>\n<p>Die feit dat ons \u2019n Afrikaanse man sien bid voor \u2019n Katolieke kruisbeeld is juis deel van daardie verbrokkeling. Dit is nie presies Protestants of Katoliek nie, maar iets sinkreties, rou, selfs primitief. \u2019n Geloof wat ditself opnuut in afsondering vind. Dit wys hoe geloof in \u2019n afgele\u00eb, post-apokaliptiese w\u00eareld nie meer aan kerklike dogma gebonde is nie, maar aan die behoefte aan sin, beskerming en vergifnis.<\/p>\n<p>Ek wou wys hoe mense in isolasie \u2019n eie liturgie begin bou. \u2019n Kruismengsel van herinneringe, oorlewering, skuld en hoop. Hulle hou vas aan die kratte en kruise van die verlede, nie omdat dit nog vir hulle volkome sin maak nie, maar omdat hulle niks anders het nie. Di\u00e9 geloof is nie net \u2019n struktuur nie, dit is \u2019n laaste stut. En dit bring heling, sowel as skade.<\/p>\n<p>&nbsp;<\/p>\n<h4><strong><em>Hen<\/em><\/strong><strong>\u00a0begin as \u2019n eenvoudige reddingsverhaal en verander stadig in iets dierlik en mities. Hoe het jy daardie toonverandering gestruktureer, en watter reaksie wou jy by die gehoor ontlok?<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>Die film volg nie \u2019n tradisionele (Hollywood-)struktuur nie, en die konflik ontstaan eerder uit die geleidelike afbreek van die gehoor se verwagtinge. Ek wou iets maak wat soos een lang stuk doringdraad al stywer span, totdat dit uiteindelik knak en dalk nie al die antwoorde gee wat mens verwag nie. Die verskuiwing van geestelik na primitief is vir my onafskeidbaar van die alledaagse menslike bestaan. Aan die binnekant is ons almal diere. Ons dink, eet, het lief en vernietig omdat dit eenvoudig in ons aard is.\u00a0<em>Hen<\/em>\u00a0wys wat gebeur wanneer al die wagte by die poorte verdwyn.<\/p>\n<p>&nbsp;<\/p>\n<h4><strong>Die hoenders in\u00a0<em>Hen<\/em>\u00a0is meer as net agtergrond. Wat het jou daartoe gelei om juis die hen as sentrale beeld en titel te kies, en hoe ontwikkel daardie simboliek deur die verloop van die film?<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>Ek het op \u2019n plaas grootgeword, en wou die onderhandeling tussen lewe en dood op \u2019n plaaswerf aanspreek. Ek is van kleins af geleer om te moor, want ons moes eet. Ek het nie trauma hieroor nie, en geniet tot vandag toe vleis in al sy vorme. Dit is biltong se skuld dat ek nooit \u2019n vegetari\u00ebr sal kan wees nie. Maar hierdie kontrak met oorlewing, en hoe maklik dit is om die sneller te trek \u2026 \u2019n lem oor \u2019n dier se keel \u2026 hoe mens met vet om die bek lag met \u2019n vol maag, blind vir die dood wat jou hande kan bring omdat jy gevoer is &#8230; Ek vind d\u00edt fassinerend. Ek het toe uiteindelik op hoenders besluit oor die inherente simbole van eiers en geboorte, van kloue, vere, moeders en kinders, om s\u00f3 moeiteloos parallelle te skep in hierdie wiel van plaaslewe.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><strong>KYK | Amptelike Lokprent: <em>Hen\u00a0<\/em><\/strong><\/h4>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hTiuGmO86Hs?si=HaN_hBapN6G3NNWX\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lees ook:\u00a0<\/strong><a href=\"https:\/\/novanews.co.za\/rooirose\/vyf-vinnige-vrae-vrydag-met-rooi-rose-se-nuwe-kosredakteur\/\">Vyf-vinnige-vrae met<em> rooi rose<\/em> se nuwe kosredakteur!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hen, \u2019n nuwe film uit die pen van skrywer en regisseur Nico Scheepers (wat ook die skrywer en regisseur van die trefferreeks N\u00earens, Noord-Kaap was), is \u2019n kykervaring wat lank n\u00e1 die eindkrediete klaar gerol het, steeds by kykers sal [&hellip;]<\/p>\n","protected":false},"author":58,"featured_media":156399,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[661,675],"tags":[166,2560,2572,97698,97699],"class_list":["post-156392","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ons-mense","category-bekendes","tag-kyknet","tag-silwerskermfees","tag-amalia-uys","tag-hen","tag-stian-bam"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Die man agter &#039;N\u00earens, Noord-Kaap&#039; gesels oor sy donker en simboliese nuwe film | rooi rose<\/title>\n<meta name=\"description\" content=\"Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/novanews.co.za\/rooirose\/156392-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Die man agter &#039;N\u00earens, Noord-Kaap&#039; gesels oor sy donker en simboliese nuwe film | rooi rose\" \/>\n<meta property=\"og:description\" content=\"Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/novanews.co.za\/rooirose\/156392-2\/\" \/>\n<meta property=\"og:site_name\" content=\"rooi rose\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rooirose\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-29T12:56:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-29T13:39:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1169\" \/>\n\t<meta property=\"og:image:height\" content=\"1653\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Karlien Meiring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@rooi_rose\" \/>\n<meta name=\"twitter:site\" content=\"@rooi_rose\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Karlien Meiring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/\"},\"author\":{\"name\":\"Karlien Meiring\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#\\\/schema\\\/person\\\/329e5312f1e72e9017e6599785327ec5\"},\"headline\":\"Die man agter &#8216;N\u00earens, Noord-Kaap&#8217; gesels oor sy donker en simboliese nuwe film\",\"datePublished\":\"2025-07-29T12:56:58+00:00\",\"dateModified\":\"2025-07-29T13:39:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/\"},\"wordCount\":1013,\"publisher\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/HEN-1.jpg\",\"keywords\":[\"kyknet\",\"silwerskermfees\",\"amalia uys\",\"hen\",\"Stian Bam\"],\"articleSection\":[\"Ons mense\",\"Bekendes\"],\"inLanguage\":\"af-ZA\",\"copyrightYear\":\"2025\",\"copyrightHolder\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#organization\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/\",\"url\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/\",\"name\":\"Die man agter 'N\u00earens, Noord-Kaap' gesels oor sy donker en simboliese nuwe film | rooi rose\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/HEN-1.jpg\",\"datePublished\":\"2025-07-29T12:56:58+00:00\",\"dateModified\":\"2025-07-29T13:39:08+00:00\",\"description\":\"Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#breadcrumb\"},\"inLanguage\":\"af-ZA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"af-ZA\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/HEN-1.jpg\",\"contentUrl\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/HEN-1.jpg\",\"width\":1169,\"height\":1653},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/156392-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Die man agter &#8216;N\u00earens, Noord-Kaap&#8217; gesels oor sy donker en simboliese nuwe film\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#website\",\"url\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/\",\"name\":\"rooi rose\",\"description\":\"Stylvol, sinvol, propvol\",\"publisher\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"af-ZA\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#organization\",\"name\":\"Rooi rose\",\"url\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"af-ZA\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/rrlogo.jpg\",\"contentUrl\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/rrlogo.jpg\",\"width\":400,\"height\":400,\"caption\":\"Rooi rose\"},\"image\":{\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rooirose\\\/\",\"https:\\\/\\\/x.com\\\/rooi_rose\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/novanews.co.za\\\/rooirose\\\/#\\\/schema\\\/person\\\/329e5312f1e72e9017e6599785327ec5\",\"name\":\"Karlien Meiring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"af-ZA\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/7ff33f7e769a4ff8a8186fcb2ca44582fc8daf908f3445a4b7543146770b577c?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/7ff33f7e769a4ff8a8186fcb2ca44582fc8daf908f3445a4b7543146770b577c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/7ff33f7e769a4ff8a8186fcb2ca44582fc8daf908f3445a4b7543146770b577c?s=96&d=mm&r=g\",\"caption\":\"Karlien Meiring\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Die man agter 'N\u00earens, Noord-Kaap' gesels oor sy donker en simboliese nuwe film | rooi rose","description":"Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/novanews.co.za\/rooirose\/156392-2\/","og_locale":"en_US","og_type":"article","og_title":"Die man agter 'N\u00earens, Noord-Kaap' gesels oor sy donker en simboliese nuwe film | rooi rose","og_description":"Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat.","og_url":"https:\/\/novanews.co.za\/rooirose\/156392-2\/","og_site_name":"rooi rose","article_publisher":"https:\/\/www.facebook.com\/rooirose\/","article_published_time":"2025-07-29T12:56:58+00:00","article_modified_time":"2025-07-29T13:39:08+00:00","og_image":[{"width":1169,"height":1653,"url":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1.jpg","type":"image\/jpeg"}],"author":"Karlien Meiring","twitter_card":"summary_large_image","twitter_creator":"@rooi_rose","twitter_site":"@rooi_rose","twitter_misc":{"Written by":"Karlien Meiring","Est. reading time":"5 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#article","isPartOf":{"@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/"},"author":{"name":"Karlien Meiring","@id":"https:\/\/novanews.co.za\/rooirose\/#\/schema\/person\/329e5312f1e72e9017e6599785327ec5"},"headline":"Die man agter &#8216;N\u00earens, Noord-Kaap&#8217; gesels oor sy donker en simboliese nuwe film","datePublished":"2025-07-29T12:56:58+00:00","dateModified":"2025-07-29T13:39:08+00:00","mainEntityOfPage":{"@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/"},"wordCount":1013,"publisher":{"@id":"https:\/\/novanews.co.za\/rooirose\/#organization"},"image":{"@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#primaryimage"},"thumbnailUrl":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1.jpg","keywords":["kyknet","silwerskermfees","amalia uys","hen","Stian Bam"],"articleSection":["Ons mense","Bekendes"],"inLanguage":"af-ZA","copyrightYear":"2025","copyrightHolder":{"@id":"https:\/\/novanews.co.za\/rooirose\/#organization"}},{"@type":"WebPage","@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/","url":"https:\/\/novanews.co.za\/rooirose\/156392-2\/","name":"Die man agter 'N\u00earens, Noord-Kaap' gesels oor sy donker en simboliese nuwe film | rooi rose","isPartOf":{"@id":"https:\/\/novanews.co.za\/rooirose\/#website"},"primaryImageOfPage":{"@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#primaryimage"},"image":{"@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#primaryimage"},"thumbnailUrl":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1.jpg","datePublished":"2025-07-29T12:56:58+00:00","dateModified":"2025-07-29T13:39:08+00:00","description":"Wanneer Dawid (Stian Bam) in die veld op \u2019n familietragedie afkom, maak hy \u2019n skokkende ontdekking in \u2019n houtkrat.","breadcrumb":{"@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#breadcrumb"},"inLanguage":"af-ZA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/novanews.co.za\/rooirose\/156392-2\/"]}]},{"@type":"ImageObject","inLanguage":"af-ZA","@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#primaryimage","url":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1.jpg","contentUrl":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2025\/07\/HEN-1.jpg","width":1169,"height":1653},{"@type":"BreadcrumbList","@id":"https:\/\/novanews.co.za\/rooirose\/156392-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/novanews.co.za\/rooirose\/"},{"@type":"ListItem","position":2,"name":"Die man agter &#8216;N\u00earens, Noord-Kaap&#8217; gesels oor sy donker en simboliese nuwe film"}]},{"@type":"WebSite","@id":"https:\/\/novanews.co.za\/rooirose\/#website","url":"https:\/\/novanews.co.za\/rooirose\/","name":"rooi rose","description":"Stylvol, sinvol, propvol","publisher":{"@id":"https:\/\/novanews.co.za\/rooirose\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/novanews.co.za\/rooirose\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"af-ZA"},{"@type":"Organization","@id":"https:\/\/novanews.co.za\/rooirose\/#organization","name":"Rooi rose","url":"https:\/\/novanews.co.za\/rooirose\/","logo":{"@type":"ImageObject","inLanguage":"af-ZA","@id":"https:\/\/novanews.co.za\/rooirose\/#\/schema\/logo\/image\/","url":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2020\/12\/rrlogo.jpg","contentUrl":"https:\/\/novanews.co.za\/rooirose\/wp-content\/uploads\/2020\/12\/rrlogo.jpg","width":400,"height":400,"caption":"Rooi rose"},"image":{"@id":"https:\/\/novanews.co.za\/rooirose\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rooirose\/","https:\/\/x.com\/rooi_rose"]},{"@type":"Person","@id":"https:\/\/novanews.co.za\/rooirose\/#\/schema\/person\/329e5312f1e72e9017e6599785327ec5","name":"Karlien Meiring","image":{"@type":"ImageObject","inLanguage":"af-ZA","@id":"https:\/\/secure.gravatar.com\/avatar\/7ff33f7e769a4ff8a8186fcb2ca44582fc8daf908f3445a4b7543146770b577c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/7ff33f7e769a4ff8a8186fcb2ca44582fc8daf908f3445a4b7543146770b577c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/7ff33f7e769a4ff8a8186fcb2ca44582fc8daf908f3445a4b7543146770b577c?s=96&d=mm&r=g","caption":"Karlien Meiring"}}]}},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"rooi rose","distributor_original_site_url":"https:\/\/novanews.co.za\/rooirose","push-errors":false,"_links":{"self":[{"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/posts\/156392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/users\/58"}],"replies":[{"embeddable":true,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/comments?post=156392"}],"version-history":[{"count":3,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/posts\/156392\/revisions"}],"predecessor-version":[{"id":156403,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/posts\/156392\/revisions\/156403"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/media\/156399"}],"wp:attachment":[{"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/media?parent=156392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/categories?post=156392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/novanews.co.za\/rooirose\/wp-json\/wp\/v2\/tags?post=156392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}