{"id":131441,"date":"2022-04-20T10:49:43","date_gmt":"2022-04-20T08:49:43","guid":{"rendered":"https:\/\/novanews.co.za\/rooirose\/?p=131441"},"modified":"2022-04-28T11:32:21","modified_gmt":"2022-04-28T09:32:21","slug":"die-57ste-fleur-du-cap-teatertoekennings-by-glorieryke-geleentheid-gevier","status":"publish","type":"post","link":"https:\/\/novanews.co.za\/rooirose\/die-57ste-fleur-du-cap-teatertoekennings-by-glorieryke-geleentheid-gevier\/","title":{"rendered":"Die 57ste Fleur du Cap-teatertoekennings by glorieryke geleentheid gevier"},"content":{"rendered":"
\n

Die 57ste Fleur du Cap-teatertoekennings by glorieryke geleentheid gevier<\/em><\/p>\n

\"\"<\/p>\n

Die gewilde en bekroonde aktrise van die verhoog, asook die groot- en kleinskerm, het ook die 2022-toekenning vir beste vertoning in <\/span>\u2019<\/span>n eenpersoon-vertoning gewen. Dit <\/span>is<\/span> vir haar uitbeelding van Elsa Joubert in <\/span>Spertyd<\/span><\/i>, die verhoogverwerking van die bekende Suid-Afrikaanse skrywer se memoir oor veroudering, verlies en aanvaarding.<\/span><\/p>\n<\/div>\n

\n
\"\"

Sandra Prinsloo<\/p><\/div>\n<\/div>\n

\n

Africa Melane, voorsitter van die beoordelaarspaneel, het ges<\/span>\u00ea: \u201c<\/span>Sandra Prinsloo lewer in gelyke mate ‘n uitsonderlike intellek, verstommende talent en ‘n onberispelike werksetiek, en vertolk groot vrouerolle in Shakespeare, Chekov, Williams en Strindberg. Haar werk in toneelstukke deur PG du Plessis, Bartho Smit, Rachelle Greeff en Nico Scheepers was ewe onvergeetlik.<\/span>\u201d<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

Die Fleur du Cap-teatertoekennings word geborg deur Distell, Afrika se voorste vervaardiger en bemarker van top-gehalte spiritualie\u00eb, wyne, siders en ander gereed-vir-drink (RTD)<\/span>–<\/span>drankies, wat regoor die w<\/span>\u00ea<\/span>reld verkoop word.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

By die aanvang in 1965 was die toekennings bekend as die Three Leaf-toekennings, wat die Fleur du Cap-teatertoekennings in 1978 geword het om een van Distell se voorste wynhandelsmerke te vier.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

Wenners is vanjaar in 19 kategorie\u00eb aangekondig. Musikale uitvoerings in toneelstukke is saamgesmelt met di<\/span>\u00e9 <\/span>in musiekblyspele en musiekvertonings, gegewe die beperkte aantal musiekgeleenthede wat in 2020 en 2021 opgevoer is. Elke wenner het R15 000 en <\/span>\u2019<\/span>n silwer medalje ontvang.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

\u00a0Lees ook:\u00a0Silwerskerm se bestes met spogtrofe\u00eb vereer<\/a><\/span><\/strong><\/p>\n

 <\/p>\n<\/div>\n

\n

Sandra was nie die enigste meervoudige oorwinnaar van die gala-aanbiedingsaand, wat deur Lizelle Malan van Distell as <\/span>\u2019<\/span>n bittersoet geleentheid beskryf is<\/span>,<\/span> nie.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

\u201c<\/span>Vir die teatrale broederskap om n<\/span>\u00e1 <\/span>twee jaar weer in die vlees bymekaar te kon kom, was ‘n ervaring van vreugde. Ja, dit is deurtrek van hartseer, na soveel lyding. Maar dit kom as ‘n teken van hoop, ‘n teken van terugkeer na lewenskragtigheid van ‘n bedryf wat erg deur Covid geteister is, sluitings van venues, lewensverlies en inkomste. Ons weet daar is nog ‘n lang pad na herstel, maar die grootste huldeblyk wat ons kan bring aan die moed van diegene wat aan die Suid-Afrikaanse verhoog behoort, is om die stryd voort te sit totdat teater weer in volle sterkte is.<\/span><\/p>\n

\"\"<\/p>\n<\/div>\n

\n

Valsrivier<\/span><\/i>, die verhoogverwerking van die roman deur Dominique Botha, was die mees<\/span>–<\/span>bekroonde produksie van die aand. Anna-Mart van der Merwe het die toekenning vir beste aktrise, Peggy Tunyiswa vir beste ondersteunende aktrise<\/span>,<\/span>en Wolf Britz<\/span> vir beste beligtingsontwerp gewen.<\/span><\/p>\n<\/div>\n

\n
\"\"

Peggy Tunyiswa<\/p><\/div>\n<\/div>\n

\n

Onder die dubbelpryswenners was <\/span>A Howl in Makhanda<\/span><\/i>, ‘n semi-outobiografiese toneelstuk oor veiligheid en toesig, geskryf en geregisseer deur Qondiswa James, wat ook die toekenning vir beste nuwe Suid-Afrikaanse draaiboek gewen het. Die komponis Jannous Aukema het gewen vir die toneelstuk se beste klankontwerp en oorspronklike komposisie.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

Die <\/span>Lady Aoi<\/span><\/i>, aangebied deur Abrahamse & Meyer Productions, het gewen vir beide beste stelontwerp en beste kostuumontwerp in die plaaslike montering van Yukio Mishima se moderne Noh-meesterstuk.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

Athol Fugard se <\/span>Master Harold<\/span><\/i>\u2026 <\/span><\/i>and the Boys<\/span><\/i> wat deur Eric Abraham en die nou ontbinde Fugard-teater opgevoer is, het ook twee oorwinnings ingepalm, met Desmond Dube wat die titel vir beste hoofspeler en Siya Mayola, vir beste byspeler verower het.<\/span><\/p>\n

\"Desmond

Desmond Dube<\/p><\/div>\n<\/div>\n

\n

Malan het ges<\/span>\u00ea <\/span>die borge is veral trots om betrokke te wees by die tentoonstelling en bevordering van plaaslike nuwe talent in Sipenathi Siqwayi, wat die regie van <\/span>Ganga Nyoko! Inzima Nyoko!<\/span><\/i> (<\/span>Catch, Brother! It’s Hard, Brother!<\/span><\/i>), ‘n twee-hander in isiXhosa en Engels<\/span>, behartig het<\/span>.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

“Makudupanyane Senaoana se oorwinning as beste manlike sanger in <\/span>Curlew River<\/span><\/i> en Siphokazi Molteno s’n as beste vroulike sanger in die opera <\/span>Cos\u00ec fan tutte<\/span><\/i>, beklemtoon nog ‘n generasie stemme wat tot hul reg kom terwyl hulle uitdrukking gee aan internasionale klassieke musiek.”<\/span><\/p>\n

\"Siphokazi

Siphokazi Molteno<\/p><\/div>\n<\/div>\n

\n

Malan het ook The Magnet Theatre geprys wat vanjaar se Toekenning vir Innovasie in Teater gewen het vir sy <\/span>Early Years Theatre Incubator Project<\/span><\/i>. Sedert 2014 ontwikkel Magnet Theatre Afrika-teater vir voorskoolse gehore. Dit skep nie net nuwe unieke Suid-Afrikaanse en Afrika-werk om plaaslik en in die buiteland op te voer nie, maar bied ook opleiding in toneelspel en verhoogkuns.<\/span><\/p>\n

 <\/p>\n<\/div>\n

\n

Magnet Theatre het wyd op die vasteland sowel as in die buiteland getoer met produksies wat in die projek ontstaan het, wat hul voltydse leerlinge blootgestel het aan samewerking met leerlingdeelnemers van Kameroen, Kenia, Nigeri\u00eb<\/span>, Uganda en Zimbabwe.<\/span><\/p>\n<\/div>\n

\n

Die volledige lys wenners:<\/span><\/h2>\n<\/div>\n
\n

Beste nuwe Suid-Afrikaanse teks<\/span><\/b><\/p>\n<\/div>\n

\n

Qondiswa James | <\/span>A Howl in Makhanda<\/span><\/i><\/p>\n

 <\/p>\n<\/div>\n

\n

Beste nuwe regisseur<\/span><\/b><\/p>\n<\/div>\n

\n

Sipenathi Siqwayi | Ganga Nyoko! Inzima Nyoko!<\/i><\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning deur <\/span><\/b>\u2019n ensemble<\/span><\/b><\/p>\n<\/div>\n

\n

Wessel Pretorius & David Viviers | <\/span>The Waterworks Anthology<\/span><\/i> \u00a0<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning in <\/span><\/b>\u2019<\/span><\/b>n revue, kabaret of eenpersoon-vertoning<\/span><\/b><\/p>\n<\/div>\n

\n

Sandra Prinsloo | Spertyd<\/i> | Elsa Joubert<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste beligtingsontwerp<\/span><\/b><\/p>\n<\/div>\n

\n

Wolf Britz | Valsrivier<\/i><\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste stel-ontwerp<\/span><\/b><\/p>\n<\/div>\n

\n

Fred Abrahamse & Marcel Meyer | <\/span>The Lady Aoi<\/span><\/i><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste kostuum-ontwerp<\/span><\/b><\/p>\n<\/div>\n

\n

Fred Abrahamse & Marcel Meyer | <\/span>The Lady Aoi<\/span><\/i><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste klank-ontwerp, oorspronklike musiek of lewendige optrede<\/span><\/b><\/p>\n<\/div>\n

\n

Jannous Aukema | <\/span>A Howl in Makhanda<\/span><\/i> | Klank-ontwerp en oorspronklike komposisie<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning in <\/span><\/b>\u2019n opera <\/span><\/b>\u2013<\/span><\/b> manlik<\/span><\/b><\/p>\n<\/div>\n

\n

Makudupanyane Senaoana | <\/span>Curlew River<\/span><\/i> | Madwoman<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning in <\/span><\/b>\u2019n opera <\/span><\/b>\u2013<\/span><\/b> vroulik<\/span><\/b><\/p>\n<\/div>\n

\n

Siphokazi Molteno | <\/span>Cos\u00ec fan tutte<\/span><\/i> | Dorabella<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning deur <\/span><\/b>\u2019<\/span><\/b>n ondersteunende akteur in <\/span><\/b>\u2019<\/span><\/b>n toneelstuk, musiekblyspel of musiekteater<\/span><\/b>–<\/span><\/b>produksie<\/span><\/b><\/p>\n<\/div>\n

\n

Siya Mayola | <\/span>Master Harold<\/span><\/i>\u2026 <\/span><\/i>and the Boys<\/span><\/i> | Willie<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning deur <\/span><\/b>\u2019<\/span><\/b>n ondersteunende aktrise in <\/span><\/b>\u2019<\/span><\/b>n toneelstuk, musiekblyspel of musiekteater<\/span><\/b>–<\/span><\/b>produksie<\/span><\/b><\/p>\n<\/div>\n

\n

Peggy Tunyiswa | Valsrivier<\/i> | Mary Dlamini<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning deur <\/span><\/b>\u2019<\/span><\/b>n aktrise in <\/span><\/b>\u2019<\/span><\/b>n hoofrol in <\/span><\/b>\u2019<\/span><\/b>n toneelstuk, musiekblyspel of musiekteater<\/span><\/b>–<\/span><\/b>produksie<\/span><\/b><\/p>\n<\/div>\n

\n

Anna-Mart van der Merwe | <\/span>Valsrivier<\/span><\/i> | Sandra Botha<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste vertoning deur <\/span><\/b>\u2019<\/span><\/b>n akteur in <\/span><\/b>\u2019<\/span><\/b>n hoofrol in <\/span><\/b>\u2019<\/span><\/b>n toneelstuk, musiekblyspel of musiekteater<\/span><\/b>–<\/span><\/b>produksie<\/span><\/b><\/p>\n<\/div>\n

\n

Desmond Dube | <\/span>Master Harold<\/span><\/i>\u2026 <\/span><\/i>and the Boys<\/span><\/i> | Sam<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste regisseur<\/span><\/b><\/p>\n<\/div>\n

\n

Paul du Toit | <\/span>The Unlikely Secret Agent<\/span><\/i><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Beste produksie<\/span><\/b><\/p>\n<\/div>\n

\n

Pieter Toerien Productions | The Producers<\/i><\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Mees belowende talent<\/span><\/b><\/p>\n<\/div>\n

\n

Byron McKeith | Northlink College<\/span><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

Innovasie in teater<\/span><\/b><\/p>\n<\/div>\n

\n

The Magnet Theatre se vroe\u00eb<\/span>–<\/span>jare program<\/span><\/p>\n

Foto’s: Verskaf<\/p>\n

Lees ook:\u00a0Silwerskermfees in volle swang in Kampsbaai<\/a><\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Die 57ste Fleur du Cap-teatertoekennings by glorieryke geleentheid gevier Die gewilde en bekroonde aktrise van die verhoog, asook die groot- en kleinskerm, het ook die 2022-toekenning vir beste vertoning in \u2019n eenpersoon-vertoning gewen. Dit is vir haar uitbeelding van Elsa […]<\/p>\n","protected":false},"author":53,"featured_media":131586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[675,1],"tags":[2032,49483,84893,147,1671],"class_list":["post-131441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bekendes","category-funksie-artikels","tag-akteurs","tag-teater","tag-fleur-du-cap-teatertoekennings","tag-bekendes","tag-toekennings"],"acf":[],"yoast_head":"\nDie 57ste Fleur du Cap-teatertoekennings by glorieryke geleentheid gevier | rooi rose<\/title>\n<meta name=\"description\" content=\"Om vanjaar se Fleur du Cap Lifetime Achievement-toekenning by die prestige-galaseremonie by Nederburg in die Paarl te wen, was nie die enigste triomf vir die teater-doyenne Sandra Prinsloo nie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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