Bavulele Art in Residency is revitalising rural villages by honouring women artisans, fostering skills in crochet and beadwork. PHOTO: CHARMAIN CARROL

In a transformative initiative, blending heritage, entrepreneurship, and community empowerment, the Bavulele Ntsikhwe Mbokazi Art Centre, founded by visionary photographer and storyteller Charmain Carrol, announces its inaugural artist residency programme, Bavulele Art in Residency.

This is the first of its kind in the rural village of Ngqwara at Mount Frere.

This collaborative project with Nomonde Mafunda Foundation, Bavulele, and the Muholi Art Institute (MAI) is revitalising rural villages by honouring women artisans, fostering skills in crochet and beadwork, and building unbreakable community bonds, all from the historic family home that once belonged to Carrol’s late mother.

Inspired by her great-grandparents and entrepreneurial mother, Bavulele, who rose from street vending second-hand clothes to owning a bustling supermarket and food stall, Carrol has converted her childhood home into a vibrant hub for creativity. “I draw my inspiration from my grandmother, MamBokazi, a skilled potter who crafted clay pots, grass mats, and traditional items to support her family,” says Carrol. “And from my mother, who taught me that nothing is impossible. She turned her dreams into reality, banking daily and expanding her business against all odds. This art centre is my way of carrying that legacy forward, proving that rural women can thrive through art and innovation.”

As a lifelong advocate for women and children, Carrol designed the residency to spotlight unrecognised women artisans in her hometown. Operating on the land her mother purchased, the same ground where her family raised her and now rests, the programme has already drawn several dedicated participants, overcoming initial scepticism about fleeting opportunities in remote areas with challenging roads. “This community is my heart,” Carrol shares. “The residency is at my house, on land steeped in family history. These women are enjoying every moment, bonding deeply, and producing high-quality pieces that could change their lives.”

The programme kicked off with beadwork workshops and has progressed to crochet using wool, led by collaborator Nomonde Mafunda, who brings her expertise to teach and assist villagers in mastering this skill. Mafunda’s guidance has been instrumental in empowering participants, helping them create intricate pieces whilst fostering a supportive learning environment. With plans to invite more artisans for new skills, the residency continues to expand its impact.

Participants, once shy and hesitant about photos or speaking on camera, now eagerly request daily group shots and engage in uplifting conversations. “There’s been a profound shift,” Carrol notes. “They come even in the rain, without facilitators, and support each other through hardships. Like when two women’s homes were broken into, the group rallied with indescribable solidarity. This is true community building, where wool brings us together and elevates us all.”

Despite challenges, including navigating cultural norms as an unmarried woman, prompting Carrol to adapt her appearance for acceptance, and facing male gatekeepers in projects, the residency’s impact is undeniable.

As a professional photographer, Carrol sees this as an extension of her storytelling work: “I’m now approached by other women and local chiefs to expand this to their villages. It’s equipping me to handle any situation, and I’m learning skills alongside everyone else.”

Looking ahead, these women plan to continue producing work, host more residencies to showcase and sell their creations, and use proceeds to buy more materials. Carrol’s vision for legacy is clear: “Nothing is impossible. Even with recycled items, create something extraordinary. Art can put food on the table, so parents, let your children pursue it. Teachers, take art education seriously; not all kids excel in academics, but many shine in artistic paths.”

This residency not only preserves cultural heritage but also empowers women to become entrepreneurs, just like Carrol’s mother. By recognising and amplifying their talents, the Bavulele Art In Residency is sparking a rural renaissance, inviting partners and donors to join in amplifying these stories of resilience.

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