\u2019n Stellenbosse kunstenaar het nooit gedink die mooie Kaap sal aan hom \u2019n nuwe materiaal bied om kunswerke mee te skep nie.<\/p>\n\n\n\n
Jacques M\u00fcller (43) skep nou beelde uit hout met \u2019n kettingsaag en brand dan die beelde met \u2019n eeue oue Japanse tegniek.<\/p>\n\n\n\n
\u201cDie hout is uniek om die blote feit dat die materiaal \u2019n wil van sy eie het. Dit is baie moeilik om met hierdie harde houtsoorte te werk, omdat hout \u2019n taai ding is,\u201d s\u00ea M\u00fcller, wat byna vier jaar gelede die Jakarandastad vir die Kaap verruil het.<\/p>\n\n\n\n
Nog voordat hy met die kettingsaag begin werk, sien hy reeds \u2019n beeld in die stomp raak.<\/p>\n\n\n\n
\u201cMet al die werke laat ek die hout toe om my te wys hoe ver en in watter rigting ek \u2019n beeld moet vat. Die meeste van die werke het abstrakte, surrealistiese elemente wat ek dan inkorporeer met realistiese dele om \u2019n geheel te vorm.\u201d<\/p>\n\n\n\n
M\u00fcller verfyn die houtwerk met hamers en houtbeitels.<\/p>\n\n\n\n
Hy gebruik dan Yakisugi, die eeue oue Japanse brandtegniek, as houtpreserveringsmetode. Yakisugi kan letterlik as \u201cverbrande sederhout\u201d vertaal word. Dit is as \u2019n tradisionele metode gebruik om houtoppervlakke, meestal vir buitegebruik, by tradisionele Japanse huise te beskerm toe daar nog geen chemiese middels vir houtbeskerming was nie. Die tegniek se\u00ebl en beskerm die oppervlak. <\/p>\n\n\n\n
\u201cDit gee die hout ook \u2019n pragtige organiese gevoel.\u201d<\/p>\n\n\n\n
Met subtiele kleurstowwe beklemtoon hy dan sekere dele van die houtwerk, wat volgens hom die hout lewe gee.<\/p>\n\n\n\n
\u201c \u2019n Akkerboom van 300 jaar oud lewe nog jare nadat hy geval het. Die hout is metafories van lewe en verganklikheid. Die krake en barste in die hout saam met die gebrande dele neem \u2019n lewe van hul eie aan en gee diep karakter aan die werk,\u201d s\u00ea M\u00fcller.<\/p>\n\n\n\n
In sy reeks houtwerke, Karoo tot in die Kaap<\/span>, wat ge\u00efnspireer is deur plase en die natuur in en om Stellenbosch, is \u201chonderde jare se energie vasgevang, wat vrygestel word as jy dit \u2019n nuwe lewe in die vorm van \u2019n beeld gee\u201d.<\/p>\n\n\n\n M\u00fcller, wat aan die Ho\u00ebrskool Zwartkop in Centurion gematrikuleer en \u2019n diploma in beeldende kuns aan die destydse Technikon Pretoria behaal het, het in beeldhou en skilderkuns gespesialiseer.<\/p>\n\n\n\n Hy put inspirasie uit die natuur, die lewe in die algemeen en die onvermydelike proses van verganklikheid. Sy skildery en beelde \u201cleef\u201d in vrede saam deur die gebruik van abstrakte elemente soos kleur in sy skilderye en beide organiese en anorganiese voorwerpe in sy beelde om \u2019n realistiese geheelbeeld te skep.<\/p>\n\n\n\n Sy werk is ingesluit in verskeie versamelings in Suid-Afrika, Australi\u00eb, Itali\u00eb, Doebai en die VSA.<\/p>\n\n\n\n Hy het ook al verskeie beelde vir die Federasie van Afrikaanse Kultuurvereniginge (FAK) gemaak. Dit sluit in \u2019n nuwe klipbeeld van oudpres. Paul Kruger op sy graf in die Heldeakker in Pretoria, \u2019n bronsbeeld van G\u00e9 Korsten, \u2019n borsbeeld van genl. Koos de la Rey op sy graf in Lichtenburg, Noordwes, nadat die vorige beeld gesteel is, die Geloofsvryheidsmonument ter viering van die Bybelgenootskap se 200ste bestaansjaar in Franschhoek, en die Sorgmonument in die Irene-konsentrasiekamp in Centurion.<\/p>\n\n\n\n M\u00fcller het verlede jaar sy eerste beeld van olienhout, wat hy ook met \u2019n kettingsaag uitgekerf het, ter viering van die 90ste herdenking van die Bybel in Afrikaans gemaak. Die Bybelgenootskap in samewerking met die FAK en die Voortrekkermonument het saam die Saaier-beeld onthul. \u2013 Netwerk24<\/i><\/span><\/p>\n","protected":false},"excerpt":{"rendered":" \u2019n Stellenbosse kunstenaar het nooit gedink die mooie Kaap sal aan hom \u2019n nuwe materiaal bied om kunswerke mee te skep 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